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Vib. |+20|± 0|± 0, What each parameter does, Example) vibrato editing display – Roland SC-88 Pro User Manual

Page 34: Vibrato, Vibrato depth: -64 — +63, Vibrato delay: -64 — +63, Filter

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(Example) Vibrato editing display

What each parameter does

On this unit, parameter settings are made for each Part. In other words, parameter

values belong to Parts, and not to sounds (Instruments). For example if you set Vibrato
Rate to +20 and then select a different sound for that Part, the Vibrato Rate of +20 will
apply to the newly selected sound (not the initial value of

±

0). In this way, parameters

belonging to Parts are called Part Parameters.

*

Parameters such as Vibrato, Filter and Envelope can be set not only for Parts, but also for
sounds (Instruments). Sounds you create by modifying these parameters are called User
sounds, and can be stored in Native map memory area (p.97).

Vibrato

Vibrato is an effect created by modulating the pitch. Applying vibrato makes the sound more expressive.

SELECT

EFX

ON/OFF

USER

INST

VIB RATE

ATTACK

VIB DEPTH

CUTOFF

DECAY

VIB DELAY

RESONANCE

RELEASE

EFX VALUE

EFX PARAM

EFX TYPE

PART

INSTRUMENT

A01

100 0

LEVEL

PAN

Vib. |+20|± 0|± 0|

Rate

Depth

Delay

select a parameter

Set the value

Chapter 2. Parts and paramters

32

Vibrato Rate: -64 — +63

This parameter adjusts the speed (frequency) of the
pitch modulation. Positive (+) settings make the pitch
modulation faster, and negative (-) settings make it
slower.

Vibrato Depth: -64 — +63

This parameter adjusts the depth of the pitch modula-
tion. Positive (+) settings make the pitch modulation
deeper, and negative (-) settings make it shallower.

Vibrato Delay: -64 — +63

This parameter adjusts the time required for the vibra-
to effect to begin. Positive (+) settings increase the
time before vibrato will begin, and negative settings
shorten the time.

Filter

By modifying the filter settings, you can control the tim-
bre (tone) of the sound. The type of filters in this unit
are called Low Pass Filters, and allow only frequencies
lower than a specified frequency to pass. This frequen-
cy is called the Cutoff Frequency. By modifying the
setting of the Cutoff Frequency you can make the
sound brighter or darker. The Cutoff Frequency can
change over time, controlled by the “envelope”. By
adjusting the filter and envelope settings, you can cre-
ate sounds that have movement and expression.

Delay

Depth

Note-on

Rate

Higher frequencies

Lower frequencies

Cutoff

frequency

Low

Pass

Filter