beautypg.com

St. bpm long dly (stereo bpm long delay), Early reflections, Effects – KORG Pa300 Arranger User Manual

Page 357: Appe ndix, Double size, A: time over? l, r

background image

353

Effects

Double Size

Appe

ndix

124: St. BPM Long Dly

(Stereo BPM Long Delay)

The stereo delay enables you to match the delay time with the
song tempo.

a: Time Over? L, R

You can set the delay time up to 5,460msec. If the delay time
exceeds this limit, the error message “OVER!” appears in the dis-
play. Set the delay time parameters so that this message will not
appear. “Time Over?” is only a display parameter.

125: Early Reflections

This early reflection effect has more precise early reflections
with twice the maximum length of a normal-size effect (See
“Early Reflections” on page 327.). Y
ou can create a very smooth
and dense sound.

a

BPM

MIDI,
40.00...
300.00

MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect

Time Over? L

---, OVER!

Display the error message if the left
channel delay time exceeds the
upper limit

R

---, OVER!

Display the error message if the
right channel delay time exceeds
the upper limit

b

L Delay Base
Note

r...w

Selects the type of notes to specify
the left channel delay time

Times

x1...x32

Sets the number of notes to specify
the left channel delay time

Adjust [%]

–2.50...+2.50

Fine-adjust the left channel delay
time

c

R Delay Base
Note

r...w

Selects the type of notes to specify
the right channel delay time

Times

x1...x32

Sets the number of notes to specify
the right channel delay time

Adjust [%]

–2.50...+2.50

Fine-adjust the right channel delay
time

d

L Feedback

–100...+100

Sets the feedback amount for the
left channel

Src

Off...Tempo

Selects the modulation source of
feedback amount

L Amt

–100...+100

Sets the modulation amount of the
left channel feedback

e

R Feedback

–100...+100

Sets the feedback amount for the
right channel

R Amt

–100...+100

Sets the modulation amount of the
right channel feedback

f

High Damp [%] 0...100

Sets the damping amount in the
high range

g

Low Damp [%] 0...100

Sets the damping amount in the low
range

h

Input Level
Dmod [%]

–100...+100

Sets the modulation amount of the
input level

Src

Off...Tempo

Selects the modulation source for
the input level

i

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 283

Amt

–100...+100

Amount of modulation source

Left

Right

Feedback

FX Amt

FX Amt

Stereo In - Stereo Out

Input Level D-mod

Input Level D-mod

High Damp Low Damp

High Damp Low Damp

Tempo

BPM

BPM

Base Note x Times

Adjust [%]

Base Note x Times

Adjust [%]

Delay

Delay

a

Type

Sharp, Loose,
Modulated,
Reverse

Selects the decay curve for the early
reflection

b

ER Time [msec] 10...1600

Sets the time length of early
reflection

c

Pre Delay
[msec]

0...200

Sets the time taken from the original
sound to the first early reflection

d

EQ Trim

0...100

Sets the input level of EQ applied to
the effect sound

e

Pre LEQ Fc

Low,
Mid-Low

Selects the cutoff frequency (low or
mid-low) of the low-range equalizer

Pre HEQ Fc

High,
Mid-High

Selects the cutoff frequency (high or
mid-high) of the high-range
equalizer

f

Pre LEQ Gain
[dB]

–15.0...+15.0

Sets the gain of Low EQ

Pre HEQ Gain
[dB]

–15.0...+15.0

Sets the gain of High EQ

g

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 283

Amt

–100...+100

Amount of modulation source

Left

Right

FX Amt

FX Amt

FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out

EQ Trim

+

EQ Trim

Pre Delay

Early Reflections

LEQ

HEQ