KORG Pa300 Arranger - Manual (Page 324)

320 Effects
Delay
62: Tape Echo
This effect simulates a tape echo unit with three playback heads.
The distortion and tonal change typical of magnetic tape are also
reproduced.
a: Delay (Tap1) [msec]
a: Src
a: Amt
b: Tap2 Position [%]
b: Tap3 Position [%]
The delay time for Tap 2 and 3 is specified as a proportion (%)
relative to “Delay (Tap1).” Even if you use dynamic modulation
to control “Delay (Tap1),” Tap 2 and 3 will change at the same
proportion.
d: FB Amt
e: FB Amt
f: FB Amt
g: Feedback
The feedback output from Tap 1, 2, and 3 is mixed according to
the “FB Amt,” and then the final amount of feedback is specified
by “Feedback.”
63: Auto Reverse
This effect records the input signal and automatically plays it in
reverse (the effect is similar to a tape reverse sound).
a: Rec Mode
b: Reverse Time [msec]
When “Rec Mode” is set to Single, you can set up to 2,640msec
for “Reverse Time.” If recording starts during the reverse play-
back, the playback will be interrupted.
When “Rec Mode” is set to Multi, you can make another record-
ing during the reverse playback. However, the maximum
Reverse Time is limited to 1,320msec.
If you wish to record a phrase or rhythm pattern, set “Rec Mode”
to Single. If you record only one note, set “Rec Mode” to Multi.
The “Reverse Time” parameter specifies the maximum duration
of the reverse playback. The part in excess of this limit will not
be played in reverse. If you wish to add short pieces of the
reverse playback of single notes, make the “Reverse Time”
shorter.
a
Delay (Tap1)
[msec]
0...2700
Sets the delay time (tap1)
Src Off...Tempo
Selects the modulation source of the
delay time
Amt
–2700...
+2700 Sets the modulation amount of
delay time
b
Tap2 Position
[%]
0...100
Sets the position of Tap 2 relative to
the Tap 1 delay time the depth of
pitch variation
c
Tap3 Position
[%]
0...100
Sets the position of Tap 3 relative to
the Tap 1 delay time the depth of
pitch variation
d
Tap1 Level 0...100 Sets the Tap1 output level
Pan L, 1...99, R Sets the stereo image of tap1
FB Amt –100...+100 Sets the Tap1 feedback amount
e
Tap2 Level 0...100 Sets the Tap2 output level
Pan L, 1...99, R Sets the stereo image of tap2
FB Amt –100...+100 Sets the Tap2 feedback amount
f
Tap3 Level 0...100 Sets the Tap3 output level
Pan L, 1...99, R Sets the stereo image of tap3
FB Amt –100...+100 Sets the Tap3 feedback amount
g
Feedback 0...100
Sets the amount of feedback for
Taps 1, 2, and 3
Src Off...Tempo
Selects the modulation source of
feedback amount
Amt –100...+100 Sets the feedback amount
h
High Damp [%] 0...100
Sets the damping amount in the
high range
Low Damp [%] 0...100
Sets the damping amount in the low
range
i Saturation 0...100 Sets the distortion amount
j
Input Trim 0...100 Sets the input gain
Pre Tone 0...100 Sets the tone of the input
k
Wow Flutter
[Hz]
0.02...1.00
Sets the frequency at which pitch
variation will occur
Wow Flutter
depth
0...100 Sets the depth of pitch variation
l
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 283
Amt –100...+100 Amount of modulation source
Wah Flatter
D -mod
Tap2/3
Position
+ Tape
Saturation
Left
Right
FX Amt
Trim
Pan Level
FX Amt
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
Feedback
Feedback Amt
High / Low Damp Pre Tone
Delay
(1)
(2)
(3)
Delay Time
a Rec Mode Single, Multi
Sets the recording mode
b
Reverse Time
[msec]
20...2640
Sets the maximum duration of the
reverse playback
c
Envelope
Select
D-mod, Input
Selects whether the start and end of
recording is controlled via the
modulation source or the input
signal level
Src Off...Tempo
Selects the modulation source that
controls recording when Envelope
Select is set to D-mod
d Threshold 0...100
Sets the recording start level when
Envelope Select is set to Input
e Response 0...100
Sets the speed of the response to
the end of recording
f Direct Mix
Always On,
Always Off,
Cross Fade
Selects how a dry sound is mixed
g
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 283
Amt –100...+100 Amount of modulation source
Input
D-mod
Envelope Select
D -mod
Envelope Control
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
+ Auto Reverse
Direct
Mix
Rec/Reverse Play
Control