Roland V-Synth - Manual (Page 140)

140
Effects List
03: Room 3
Reverb which simulates the reverberation within a room. This is
suitable for simulating a fairly large room, and produces
reverberation with a strong mid and low range.
04: Hall 1
This simulates the reverberation of a concert hall. It is a conventional
hall reverb. You can also apply a chorus effect to the reverberation to
adjust the sense of spaciousness or to create a special effect.
Parameter Value Description
Pre Low Freq 50–4000 Hz Frequency of the low range
Pre Low Gain -15– +15 dB Gain of the low range
Pre Mid Freq 50–20000 Hz Frequency of the middle
range
Pre Mid Q 0.5, 0.7, 1.0, 2.0,
4.0, 8.0 Gain of the middle range
Set a higher value for Q to
narrow the range to be af-
fected.
Pre Mid Gain -15– +15 dB Gain of the middle range
Pre Hi Freq 2000–20000 Hz Frequency of the high
range
Pre Hi Gain -15– +15 dB Gain of the high range
Reverb Time 0.06–32.0 sec Duration (time) of the re-
verb
Pre Dly Time 0–200.0 ms Adjusts the delay time from
the direct sound until the
delay sound is heard.
Density 0–99 Density of the reverb
Room Size 1–8 Size of the room which is
simulated
Early Ref Level 0–99 Volume level of the initial
reflected sound
Release Density 0–99 Density of the sound that
reaches the listener after
many repeated reflections
Low Damp Freq 50–4000 Hz Adjusts the frequency be-
low which sound fed back
to the effect will be cut.
The Low Damp function
damps the low frequency
band of the reverb sound
quicker than other bands.
Low Damp Gain -36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000 Hz Adjusts the frequency
above which sound fed
back to the effect will be
cut.
High Damp, by attenuating
the higher frequencies first.
Hi Damp Gain -36–0 dB Degree of High Damp
Post HC Freq 160–15000 Hz,
THRU Frequency at which the
high cut filter will begin to
take effect (THRU: no filter
is used)
Parameter Value Description
Pre Low Freq 50–4000 Hz Frequency of the low range
Pre Low Gain -15– +15 dB Gain of the low range
Pre Mid Freq 50–20000 Hz Frequency of the middle
range
Pre Mid Q 0.5, 0.7, 1.0, 2.0,
4.0, 8.0 Gain of the middle range
Set a higher value for Q to
narrow the range to be af-
fected.
Pre Mid Gain -15– +15 dB Gain of the middle range
Pre Hi Freq 2000–20000 Hz Frequency of the high
range
Pre Hi Gain -15– +15 dB Gain of the high range
Low Rev Time 0.06–64.0 sec Duration (time) of the re-
verb for the low frequency
band.
Hi Rev Time 0.06–64.0 sec Duration (time) of the re-
verb for the high frequency
band
Xover Freq 160–15000 Hz,
THRU The reverberation specified
by the Low Rev Time will
be applied to the range be-
low this frequency, and by
the Hi Rev Time to the
range above this frequency.
Pre Dly Time 0–200.0 ms Adjusts the delay time from
the direct sound until the
delay sound is heard.
Density 0–99 Density of the reverb
Room Size 5.6–32.6 m Size of the room which is
simulated
Early Ref Level 0–99 Volume level of the initial
reflected sound
Release Density 0–99 Density of the sound that
reaches the listener after
many repeated reflections
Low Damp Freq 50–4000 Hz Adjusts the frequency be-
low which sound fed back
to the effect will be cut.
The Low Damp function
damps the low frequency
band of the reverb sound
quicker than other bands.
Low Damp Gain -36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000 Hz Adjusts the frequency
above which sound fed
back to the effect will be
cut.
High Damp, by attenuating
the higher frequencies first.
Hi Damp Gain -36–0 dB Degree of High Damp
Post HC Freq 160–15000 Hz,
THRU Frequency at which the
high cut filter will begin to
take effect (THRU: no filter
is used)
Chorus Rate 0–127 Rate of modulation for the
reverb
Chorus Depth 0–127 Depth of modulation for
the reverb