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Stereo delay, P. 122), 122 effects list – Roland V-Synth User Manual

Page 122

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122

Effects List

11: Stereo Delay

This is a stereo delay. Depending on the length of the delay you set,
you can get long echoes, thick sounds, or spatial sounds.

fig.MFX-11.e

Parameter

Value

Description

Mode

MONO, STE-
REO, ALTER-
NATE

Switches stereo, monaural, or al-
ternate.
MONO: This is a single-input,
dual-output delay. Stereo sound
(left and right) are mixed before
being input.
STEREO: This is a dual-input,
dual-output delay. The delay
sound output features the same
stereo placement as that of the
input.
ALTERNATE: The left and right
delay sound output alternately.
(Alternate delay)

Delay Time

0–1300 ms
(MONO), 0–650
ms (STEREO,
ALTERNATE),
note

Adjusts the delay time from the
direct sound until the delay
sound is heard.

L-R Shift

0–650 ms, note

Of the left and right delay
sounds, the delay time will be
increased for only one side.
If the L-R order is L

R, the R

sound will be later. In the case of
R

L, the L sound will be later.

* When the mode is set to

MONO or ALTERNATE, this
setting will be ignored.

L-R Order

L

R, R

L

In STEREO or ALTERNATE
mode, this setting determines
which of the left or right sides
has the delay sound before the
other
L

R: The left side is expressed

first
R

L: The right side is expressed

first

* In MONO mode, this setting

will be ignored.

L

R

Delay

2-Band

EQ

L

R

Delay

2-Band

EQ

When Mode parameter is STEREO:

When Mode parameter is MONO or ALTERNATE:

Feedback

-98– +98 %

Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.

Low Damp Freq 50–4000 Hz

Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.

Low Damp
Gain

-36–0 dB

Degree of Low Damp

Hi Damp Freq

2000–20000 Hz

Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.

Hi Damp Gain

-36–0 dB

Degree of High Damp

Balance

DRY100:0WET–
DRY0:100WET

Volume balance between the di-
rect sound (DRY) and the delay
sound (WET)

Ps Low Freq

50–4000 Hz

Frequency of the low range

Ps Low Gain

-15– +15 dB

Gain of the low range

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

Ps Hi Gain

-15– +15 dB

Gain of the high range

Parameter

Value

Description