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Amp simulator, Speaker simulator, Resonator – Roland V-Synth User Manual

Page 112: 1st order sidebandfilter, P. 112), 112 cosm list

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112

COSM List

Amp Simulator

Simulates an amp.

Speaker Simulator

Simulates the speaker type.

Resonator

Simulates the resonance of a guitar body.

1st order SideBandFilter

By boosting the fundamental and overtones, you can
apply a pitch to unpitched input sounds such as a
noise or a drum phrase.

Parameter

Value

Description

COSM Type

Amp Type

1–3

Type of guitar amp

Bass

0–127

Tone of the bass/mid/tre-
ble range

Middle
Treble
Output Level

0–127

Output Level

Gain

Gain #1

0–127

Degree of distortion

Gain LFO Depth
#3

-63– +63

Amount of LFO applied to
distortion

* For details on envelope settings, refer to

“Making Envelope

Settings”

(p. 48).

LFO

* For details on LFO settings, refer to

“Making LFO Settings”

(p.

49).

Parameter

Value

Description

COSM Type

Speaker Type

1–12

Parameter

Value

Description

COSM Type

Filter Type

BANJO, AC.GTR,
RE.GTR

Type of filter (guitar)

Size

Size #1

0–127

Body size

Size KF

-200– +200

Key follow setting for gui-
tar body

Size LFO Depth #3 -63– +63

Amount of LFO applied to
guitar body

* For details on envelope settings, refer to

“Making Envelope

Settings”

(p. 48).

Balance

Balance #2

0–127

Volume balance between
the direct sound and the ef-
fect sound

Balance LFO
Depth #4

-63– +63

Amount of LFO applied to
the volume balance

* For details on envelope settings, refer to

“Making Envelope

Settings”

(p. 48).

LFO

* For details on LFO settings, refer to

“Making LFO Settings”

(p.

49).

Parameter

Value

Description

COSM Type

HPF

0–127

Cutoff frequency of the
high pass filter

LPF

0–127

Cutoff frequency of the low
pass filter

LPF KF

-200– +200

Key follow setting for cut-
off frequency of low-pass
filter

Sub

-100– +100

Sub detune

Octave

-2, -1, 0

Octave setting

Width

Width #1

0–127

Bandwidth

Width KF

-200– +200

Key follow setting for
bandwidth

Dyn Env

-63– +63

Envelope depth for the in-
put sound

Width LFO Depth
#3

-63– +63

Amount of LFO applied to
bandwidth

* For details on envelope settings, refer to

“Making Envelope

Settings”

(p. 48).

Detune

Detune #2

0–127

Detune

Dyn Env

-63– +63

Envelope depth for the in-
put sound

Detune LFO
Depth #4

-63– +63

Amount of LFO applied to
detune

* For details on envelope settings, refer to

“Making Envelope

Settings”

(p. 48).

LFO

* For details on LFO settings, refer to

“Making LFO Settings”

(p.

49).