Yamaha SPX50D - Manual (Page 67)

INHALT
VORSICHTSMASSNAHMEN .......................................69
1: BEDIENELEMENTE UND ANSCHLÜSSE...............70
FRONTKONSOLE....... .............................................70
ANSCHLUSSFELD......... ........................................ 72
2: ALLGEMEINER BETRIEB....................................... 73
SPEICHERANORDNUNG........................................ 73
EFFEKT/SPEICHERPLATZWAHL...........................73
DIREKT-AUFRUFTASTEN.......................................74
EFFEKT-BYPASS.....................................................74
INSERT-SCHLEIFE...................................................74
PARAMETER-ZUGRIFF & EDITIERUNG........... .... 75
VERGLEICHSFUNKTION.........................................76
EFFEKTSPEICHERUNG.......................................... 76
3; BESCHREIBUNG DER EFFEKTPROGRAMME &
PARAMETER........................................................77
BALANCE- UND AUSGANGSPARAMETER.......... 77
1. R e v l H a l l ........................................................... 77
2. Rev 2 Hall........................................................... 77
3. Rev 3 Hall...,............ ...........................................77
4. Rev 4 Room...................................................... 77
5. Rev 5 Room...................................................... 77
6. Rev 6 Vocal........................................................ 77
7. Rev 7 Vocal........................................................ 77
8. Rev 8 Vocal.....................................................—77
9. Rev 9 Plate......................................................... 77
10. Rev 10 Plate..................................................... 77
11. Early Ref. 1.........................................................78
12. Early Ref. 2.........................................................78
13. Percussion E/R.................................................. 78
14. Gate reverb........................................................ 78
15. Reverse Gate..................................................... 78
16. Delay L, R...........................................................78
17. Delay Short...................................................... 78
18. Delay Long......................................................... 78
19. Echo Short......................................................... 79
20. Echo Long..........................................................79
21. Stereo Flange.....................................................79
22. Chorus A............................................................ 80
23. Chorus B............................................................ 80
24. Chorus C.......................................................... 80
25. Stereo phasing.................................................. 80
26. Tremoio............................................................ 80
27. Symphonie......................................................... 80
28. ADR-Noise Gate.............................................. 81
29. Compressor....................................................... 82
30. Reverb & Gate................................................. 83
31. Pitch A............................................................ 83
32. Pitch B.............................................................84
33. Pitch C.......................................................... 85
34. Triggered Pan.................................................... 85
35. Parametric EQ................................................... 86
36. Mid-band Drive..................................................86
37. Heavy Metal.................................................... ...86
38. Light Dist......................................................... ..86
39. Chunky rythm....................................................86
40. Smooth Drive.....................................................86
41. Overdrive Hall................................................... 87
42. Distortion Room................................................87
43. E/R Distortion.................................................. 88
44. Slide Gate.......................................................... 88
45. Dela’y Dist^....................................................... 88
46. Dist. Filter.......................................................... 89
47. Flange Dist.........................................................90
48. Chorus Dist...................................................... 90
49. Phase Dist......................................................... 91
50. Symphonic Dist................................................ 91
4: BETRiEBSFUNKTIONEN.........................................92
TITELEDITIERUNG................................................... 92
MIDi-BANK- & KANALZUWEISUNG....................... 92
SPEICHERABRUFBEREICH FÜR
FUSSSCHALTER.................................................94
5: DAS MIDI-DATENFORMAT..................................... 95
6: TECHNISCHE DATEN..............................................96
7: ROM-INHALT UND REGELBARE PARAMETR ....98
8: SPEICHERÜBERSICHT....................................... 101
9: BLOCKSCHALTBILD.............................................104
10: ABMESSUNGEN.................................................. 104
11: MIDI IMPLEMENTIERUNG.................................. 105