Yamaha SPX50D User Manual
Page 25
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49. Phase DIst.
50. Symphonic DIst.
Phasing plus distortion.
Distortion Level (DISTORTION): 0 —100%
Sets the "degree” or “depth” of the distortion portion of the
effect.
Symphonic plus distortion.
Distortion Level (DISTORTION): 0 — 1 0 0 %
Sets the “degree” or “depth” of the distortion portion of the
effect.
Phase Balance (SYMPHO BAL): 0 —100%
Determines the amount of phase effect applied to the distortion
sound.
Symphonic Balance (SYMPHO BAL): 0 —100%
Determines the amount of symphonic effect applied to the
distortion sound.
Modulation Frequency (MOD FREQ): 0.1 Hz — 20 Hz
Sets the speed of the effect variation.
Modulation Depth (MOD DEPTH): 0% — 100%
Sets the depth of the effect.
Modulation Delay (MOD PLY): 0.1 — 8 milliseconds
This sets the basic delay time from the initial direct sound to the
beginning of the phase effect.
Trigger Level (TRG. LEVEL): 1 — 1 0 0
Determines the amplitude of the input signal required to trigger
the effect. This parameter, in conjunction with the RELEASE
parameter below, functions effectively as a noise gate to cut out
hiss and noise when an input signal is not present. TRG LEVEL
should be set so that the effect is activated only when a note
is played on the instrument used.
Release Time (RELEASE): 5 — 32000 milliseconds
Determines the amount of time it takes for the distortion gate
to close after the input signal drops below the trigger level.
Proper setting of the RELEASE parameter is essential to allow
a natural decay of the source instrument sound.
Modulation Frequency (MOD FREQ): 0.1 Hz — 20 Hz
Sets the, speed of the effect variation.
i
Modulation Depth (MOD DEPTH): 0% — 1 0 0 %
Sets the depth of the effect.
Trigger Level (TRG. LEVEL): 1 — 1 0 0
Determines the amplitude of the input signal required to trig
ger the effect. This parameter, in conjunction with the RE
LEASE parameter below, functions effectively as a noise
gate to cut out hiss and noise when an input signal is not
present. TRG LEVEL should be set so that the effect is
activated only when a note is played on the instrument
used.
Release Time (RELEASE): 5 — 32000 milliseconds
Determines the amount of time it takes for the distortion
gate to close after the input signal drops below the trigger
level. Proper setting of the RELEASE parameter is essential
to allow a natural decay of the source instrument sound.
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