Yamaha SPX50D - Manual (Page 24)

47. Flange Dist. 48. Chorus Dist.
Flange plus distortion. Chorus plus distortion.
Distortion Level (DISTORTION): 0 — 100%
Sets the "degree” or “depth” of the distortion portion of the
effect.
Distortion Level (DISTORTION): 0 — 100%
Sets the “degree” or “depth” of the distortion portion of the
effect.
Flange Balance (FLANGE BAL): 0 —100%
Determines the amount of flange effect applied to the distor­
tion sound.
Chorus Balance (CHORUS BAL): 0 —100%
Determines the amount of chorus effect applied to the distortion
sound.
Modulation Frequency (MOD. FRQ): 0.1 Hz — 20 Hz
Sets the speed of modulation, and hence the rate at which
the effect varies.
Modulation Depth (MOD. DEPTH): 0% — 100%
Sets the amount of delay time variation, thus adjusting the
depth of the effect.
Modulation Delay (MOD. PLY): 0.1 ms — 1 0 0 milliseconds
This sets the basic delay time from the initial direct sound to
the beginning of the flange effect.
Feedback Gain (F.B. GAIN): 0% — 99%
Determines the amount of flange signal which is fed back to
the input of the processor for further modulation. More feed­
back increases the overall complexity, “strength” and decay
time of the effect.
Modulation Frequency (MOD. FRQ): 0.1 Hz — 20 Hz
Sets the speed of chorus effect variation.
Delay Modulation Depth (PM DEPTH): 0% —100%
This sets the depth or “strength” of the chorus effect.
Amplitude Modulation Depth (AM DEPTH): 0% —100%
Sets the amount by which the amplitude (level) of the input
signal is varied.
Trigger Level (TRG. LEVEL): 1 — 1 0 0
Determines the amplitude of the input signal required to trigger
the effect. This parameter, in conjunction with the RELEASE
parameter below, functions effectively as a noise gate to cut out
hiss and noisewhen an input signal is not present. TRG LEVEL
should be set so that the effect is activated only when a note
is played on the instrument used.
Trigger Level (TRG. LEVEL): 1 — 1 0 0
Determines the amplitude of the input signal required to trig­
ger the effect. This parameter, in conjunction with the RE­
LEASE parameter below, functions effectively as a noise
gate to cut out hiss and noise when an input signal is not
present. TRG LEVEL should be set so that the effect is
activated only when a note is piayed on the instrument
used.
Release Time (RELEASE): 5 — 32000 milliseconds
Determines the amount of time it takes for the distortion gate
to close after the input signal drops below the trigger level.
Proper setting of the RELEASE parameter is essential to allow
a natural decay of the source instrument sound.
Release Time (RELEASE): 5 — 32000 milliseconds
Determines the amount of time it takes for the distortion
gate to close after the input signal drops below the trigger
level. Proper setting of the RELEASE parameter is essential
to allow a natural decay of the source instrument sound.
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