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Getting started, Sound mixing 101: the fundamentals, Before recording – Yamaha DIGITAL MIXING STUDIO 01X User Manual

Page 43

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01X Owner’s Manual

43

Before Using

Basics Section

Appendix

Getting Started

Reference

Getting Started

Sound Mixing 101: The Fundamentals

Mixing is a skill, but it’s also an art. Making a good

recording and creating a good mix is more than simply

plugging in a microphone and moving a couple of faders.

In this section, you’ll learn some of the basics of mixing,

from setting up to tips on how to use effects and how to use

the 01X to create a well-balanced mix.

For absolute mixing neophytes, this is an invaluable guide

to the mixing/recording process. Even experienced pros

may find it useful as a refresher course, since it may help to

jog your memory on certain points. For all 01X users, it

shows you concisely how to get the most out of this versa-

tile console.

Before Recording:

Reset all controls

Very simple. Call up Scene (Library) number 00, which

instantly returns all settings to their zero or default values.

However, make sure to manually reset all Gain knobs for

the MIC/LINE INPUTs and turn the MONITOR/PHONES

level down.

Connect your sources (page 21)

Plug in your microphones, keyboards, guitars and what-

ever to the rear panel, but make sure you use the right con-

nector for each. Inputs 1 and 2 feature balanced XLR

connectors for microphones, with a phantom power

switch. Inputs 3 to 8 are TRS balanced phone jacks for

line sources, such as keyboards and tone generators.

There’s even a Hi-Z input on channel 8 for connecting an

electric guitar or bass.

Set up your monitor

If you’re monitoring via headphones or the monitor out-

puts, turn up the MONITOR/PHONES knob. (Make sure

you’ve set up a suitable amp/speaker system, too.) Set the

STEREO fader to or near the maximum of 0 dB. The 01X

features two selectable (and adjustable) monitor settings,

switchable with the [MONITOR A/B] button or from the

Utility mode — allowing you to toggle monitoring

between the DAW’s sound via mLAN or the internal

sounds (pages 72, 96).

Optimize the input levels (page 46)

This is a crucial operation, so take time and care in getting

these levels right. Listen to each channel separately, and

use the GAIN knobs (the top knobs on the console) to opti-

mize the input signal level. In general, set the channel

fader to around 0 dB, and while singing into the micro-

phone or playing the instrument, slowly bring up the GAIN

knob so that the sound is loud but not distorting. You can

visually monitor this with the meters in the display of 01X

and Studio Manager. (For details, see page 9 and the Stu-

dio Manager PDF manual.)