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Rear panel – Yamaha DIGITAL MIXING STUDIO 01X User Manual

Page 21

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01X Owner’s Manual

Controls and Connectors

21

Before Using

Basics Section

Appendix

Getting Started

Reference

q MIC/LINE INPUT

• MIC/LINE INPUT (XLR) jacks 1/2

These are XLR-3-31 type balanced input jacks. The

nominal input level is -46 to +4 dB. Mics, direct

boxes, or line level devices with balanced output

jacks can be connected here. Each jack corresponds

to AD1and AD2 of the Input Patch settings (pages 27,

61, 88). The pin configuration is shown below.

• MIC/LINE INPUT (TRS phone) jacks 3

through 8 (BAL)

These are TRS phone type 1/4" input jacks (bal-

anced). The nominal input level is -46 to +4 dB.

Devices such as synthesizers or rhythm machines

with unbalanced outputs can also be connected here.

Each jack corresponds to AD3 through AD8 of the

Input Patch settings (pages 27, 61, 88). The pin con-

figuration is shown below.

• MIC/LINE INPUT jack 8 (HI-Z)

This is a high impedance 1/4" phone input jack

(unbalanced). The nominal input level is -46 to

+4dB. An instrument with high output impedance

such as an electric guitar or bass with passive-type

pickups can be connected here. This jack corre-

sponds to AD8 of the Input Patch settings (pages 27,

61, 88).

w STEREO/AUX OUT jacks

These are 1/4" phone output jacks (unbalanced) that output

the signals of the stereo bus, rec bus or AUX bus 1/2.

e MONITOR OUT jacks

These are 1/4" phone output jacks (unbalanced) for con-

nection to your monitor setup, such as a stereo system or

powered speakers.

r PHONES jack

This is a 1/4" TRS phone output jack for connecting a set

of stereo headphones for monitoring.

Rear Panel

q

w

i

u

t

y

o

!0

!2 !1

e

r

Male XLR connector

1 (ground)

3 (cold)

2 (hot)

1/4" TRS phone plug

Ring (cold)

Sleeve (ground)

Tip (hot)

Using Phase Reverse

On some audio devices, the hot and cold pin placement
of the connector may be reversed (compared to the
conventional configuration). In this condition, the audio
may sound “squashed” or unnatural (out of phase)
when heard in stereo. When using such devices, set
the Phase parameter (page 99) to Reverse.