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Automation, Third-party plug ins, Routing – Teac X-48MKII User Manual

Page 47: Mixer applications, Submixing, Monitoring while recording, Automation third-party plug ins routing, Submixing monitoring while recording, 7 – mixer, 47 automation

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TASCAM X-48MKII

47

Automation

To display automation, click the button pictured above

or press Alt-A. You can automate the level of a track

using this, and also play back automation from imported

projects. The edit tools change in this mode:
• Use the Cursor tool (click the “

+

” button or press F8)

to write automation. Click and drag on a track to

write new automation points. Automation can be

enabled by track using WRITE switches.

• If you mouse over one of the automation points

with the Cursor tool, your cursor turns into the

Finger tool. Click and drag any automation point

to change its level or time position. When writing

automation data, the fader for each track is shown

at the 0 dB line. The cursor position shows the fader

volume.

• In automation mode, the Smart tool becomes an

Eraser so that you can delete automation entries.

• Use the I-beam tool to select automation. You can

cut, copy, paste or delete automation from the

keyboard or Edit menu.

• Place a check next to Playback Automation Bypass

under Options to disable automation during

playback.

Third-Party Plug Ins

Support will not be provided to use VST plug-ins from

Waves, Antares, or other companies. Installing them could

cause problems.

CAUTION

If problems should occur with the unit, reinstalling its

software from the System Restore CD might be necessary.

Routing

Each recorder track goes directly to the mixer channel that

has the same number as the track. Mixer channels can

be routed to various destinations, like physical outputs

or Groups. Click the bottom-most text display on a mixer

channel to reveal a menu of output routing choices, or

open the DSP View to see the same menu along with

other parameters of that mixer channel. You can change

the output to a group or pair of outputs for submixing

use, see the next section for examples.

Mixer Applications

Submixing

One of the typical uses for the subgroups is to combine

tracks when you do not have enough mixer inputs for

your session. For example, 17 tracks of percussion can be

combined into a stereo group then sent through a pair of

outputs to come up on a pair of faders on your console.
To use this feature:
1 Make sure Mixer Bypass is disabled, see “Mixer

Bypass” on page 46.

2 Click on the tab at the bottom of the screen where

your tracks are, such as Ch. 1-24.

3 Find your track in the mixer view. You can change

the level, pan it left or right, add EQ, etc.

4 Click the Output field at the bottom of the channel

strip. This opens a menu of options. Mouse over the
Groups submenu and choose a stereo group from 1
to 12
.

5 Select the Groups tab at the bottom of the screen.

Click on the output field at the bottom of the group

channel. Select Stereo Outs and choose a pair of

outputs for your Group.

Monitoring While Recording

Another useful feature of the mixing engine is to monitor

tracks while recording. During a live event, the X-48MKII

can serve as a 48-track recorder as well as your monitor

mixer. Connect your mic preamps to the (optional) analog

inputs and connect the S/PDIF output to a D/A converter

or 2-track recorder, like the TASCAM DV-RA1000HD. You

can then monitor through the D/A converter or recorder

using headphones or monitors.
To set up the X-48MKII for record monitoring:
1 Make sure Mixer Bypass is disabled. (See “Mixer

Bypass” on page 46.)

2 Check your channel strips to make sure the MIX

button is on/green so that tracks are being routed

to the stereo mix out.

3 Click on the Masters tab at the bottom of the screen.
4 Click the
Output field on the Master channel on the

right side of this window. This opens a menu of

options. Mouse over the Stereo Outputs submenu

and choose SPDIF.

5 Connect the S/PDIF digital out to the S/PDIF digital

in on your D/A converter or recorder. Change the

on-screen mixer channels to mix. Since the mixer

is after the recorder, any changes made to the

monitor mix will not affect the recording.

7 – Mixer