Roland VC-2 - Manual (Page 65)

65
Effects List
10: Room 3
Reverb which simulates the reverberation within a room. This
is suitable for simulating a fairly large room, and produces
reverberation with a strong mid and low range.
11: Hall 1
This simulates the reverberation of a concert hall. It is a
conventional hall reverb. You can also apply a chorus effect to
the reverberation to adjust the sense of spaciousness or to
create a special effect.
Parameter Value Description
Pre Low Freq 50–4000 Hz Frequency of the low range
Pre Low Gain -15– +15 dB Gain of the low range
Pre Mid Freq 50–20000 Hz Frequency of the middle range
Pre Mid Q 0.5, 0.7, 1.0, 2.0,
4.0, 8.0 Width of the middle range
Set a higher value for Q to nar-
row the range to be affected.
Pre Mid Gain -15– +15 dB Gain of the middle range
Pre Hi Freq 2000–20000 Hz Frequency of the high range
Pre Hi Gain -15– +15 dB Gain of the high range
Rev Time 0.06–32.0 sec Duration (time) of the reverb
Pre Dly Time 0–200.0 ms Adjusts the delay time from the
direct sound until the reverb
sound is heard.
Density 0–99 Density of the reverb
Room Size 1–8 Size of the room which is simu-
lated
Early Ref Lev-
el 0–99 Volume level of the initial reflect-
ed sound
Release Densi-
ty 0–99 Density of the sound that reaches
the listener after many repeated
reflections
Low Damp
Freq 50–4000 Hz Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the re-
verb sound quicker than other
bands.
Low Damp
Gain -36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000 Hz Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first.
Hi Damp Gain -36–0 dB Degree of High Damp
Post HC Freq 160–15000 Hz,
THRU Frequency at which the high cut
filter will begin to take effect
(THRU: no filter is used)
Parameter Value Description
Pre Low Freq 50–4000 Hz Frequency of the low range
Pre Low Gain -15– +15 dB Gain of the low range
Pre Mid Freq 50–20000 Hz Frequency of the middle range
Pre Mid Q 0.5, 0.7, 1.0,
2.0, 4.0, 8.0 Width of the middle range
Set a higher value for Q to narrow
the range to be affected.
Pre Mid Gain -15– +15 dB Gain of the middle range
Pre Hi Freq 2000–20000
Hz Frequency of the high range
Pre Hi Gain -15– +15 dB Gain of the high range
Low Rev Time 0.06–64.0 sec Duration (time) of the reverb for
the low frequency band.
Hi Rev Time 0.06–64.0 sec Duration (time) of the reverb for
the high frequency band
Xover Freq 160–15000
Hz, THRU The reverberation specified by the
Low Rev Time will be applied to
the range below this frequency,
and by the Hi Rev Time to the
range above this frequency.
Pre Dly Time 0–200.0 ms Adjusts the delay time from the di-
rect sound until the reverb sound
is heard.
Density 0–99 Density of the reverb
Room Size 5.6–32.6 m Size of the room which is simulat-
ed
Early Ref Lev-
el 0–99 Volume level of the initial reflected
sound
Release Densi-
ty 0–99 Density of the sound that reaches
the listener after many repeated re-
flections
Low Damp
Freq 50–4000 Hz Adjusts the frequency below
which sound fed back to the effect
will be cut.
The Low Damp function damps
the low frequency band of the re-
verb sound quicker than other
bands.
Low Damp
Gain -36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000
Hz Adjusts the frequency above
which sound fed back to the effect
will be cut.
High Damp, by attenuating the
higher frequencies first.
Hi Damp Gain -36–0 dB Degree of High Damp
Post HC Freq 160–15000
Hz, THRU Frequency at which the high cut
filter will begin to take effect (TH-
RU: no filter is used)
Chorus Rate 0–127 Rate of modulation for the reverb
Chorus Depth 0–127 Depth of modulation for the reverb
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