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P. 57, Guitar multi – Roland VC-2 User Manual

Page 57

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57

Effects List

34: Guitar Multi

Guitar Multi provides Comp/Limiter, Overdrive or
Distortion, Chorus or Flanger, and Delay effects connected in
series.

Enhan Sens

0–127

Sensitivity of the enhancer

Enhan Fre-
quency

0–127

Sets the lower limit of the frequen-
cies to which the enhancement ef-
fect is added.

Enhan Mix
Level

0–127

Level of the overtones generated
by the enhancer

Enhan Level

0–127

Volume of the enhancer sound

EQ Low Freq

50–4000 Hz

Frequency of the low range

EQ Low Gain

-15– +15 dB

Gain of the low range

EQ Mid Freq

50–20000 Hz

Frequency of the middle range

EQ Mid Q

0.5, 0.7, 1.0, 2.0,
4.0, 8.0

Gain of the middle range
Set a higher value for Q to narrow
the range to be affected.

EQ Mid Gain

-15– +15 dB

Gain of the middle range

EQ Hi Freq

2000–20000 Hz

Frequency of the high range

EQ Hi Gain

-15– +15 dB

Gain of the high range

Delay Time

0–1300 ms,
note

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Delay Feed-
back

-98– +98 %

Adjusts the proportion of the de-
lay sound that is fed back into the
effect. Negative (-) settings will in-
vert the phase.

Low Damp
Freq

50–4000 Hz

Adjusts the frequency below
which sound fed back to the effect
will be cut.
The Low Damp function damps
the low frequency band of the de-
lay sound quicker than other
bands, which makes for a clearer
delay effect.

Low Damp
Gain

-36–0 dB

Degree of Low Damp

Hi Damp
Freq

2000–20000 Hz

Adjusts the frequency above
which sound fed back to the effect
will be cut.
High Damp, by attenuating the
higher frequencies first, makes the
delay sound more natural.

Hi Damp
Gain

-36–0 dB

Degree of High Damp

Delay Level

0–127

Volume of the delay sound.

Parameter

Value

Description

Comp Sw

OFF, ON

Turns the comp/limiter on/off.

Comp
Threshold

-60–0 dB

Sets the volume level at which the
compression begins.

Comp At-
tack

0–127

Sets the time after the sound vol-
ume is crossed the compressor
threshold until compression be-
gins.

Parameter

Value

Description

Comp Re-
lease

0–127

Specifies the time from when the
volume drops below the compres-
sor threshold until compression is
no longer applied.

Comp Ratio

1.5:1, 2:1, 4:1,
100:1

Sets the “source sound:output
sound” compression ratio.

Comp Gain

-60– +12 dB

Adjusts the output gain.

Od/Ds Sw

OFF, ON

Selects whether to use overdrive or
distortion.

Drive Mode

OD, DS

Selects whether to use overdrive
(OD) or distortion (DS).

Drive

0–127

Degree of distortion

Amp Sim Sw

OFF, ON

Turns the amp simulator on/off.

Amp Type

SMALL,
BUILT-IN,
2-STACK,
3-STACK

Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp

Distortion
(DS) Level

0–127

Volume of the overdrive or distor-
tion sound.

Mod Mode

CHORUS,
FLANGER

Selects whether to use chorus or
flanger.

Mod Rate

0.05–10.0 Hz,
note

Adjusts the speed of modulation
for the chorus or flanger.

Mod Depth

0–127

Adjusts the depth of modulation
for the chorus or flanger.

Mod Phase

0–180 deg

Sets how the chorus or flanger
sound is spread.

Mod Pre De-
lay

0–50.0 ms

Adjusts the delay time from the di-
rect sound until the chorus or
flanger sound is heard.

Mod Feed-
back

-98– +98 %

Adjusts the proportion of the effect
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

Mod Xover-
LPF

500–15000 Hz,
THRU

Adjusts the cutoff frequency of the
low pass filter. (THRU: no filter is
used)

Mod Xover-
HPF

THRU,
50–800 Hz

Adjusts the cutoff frequency of the
high pass filter. (THRU: no filter is
used)

Mod Level

0–127

Volume of the chorus or flanger
sound.

Delay Time

0–1300 ms,
note

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Delay Feed-
back

-98– +98 %

Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

Hi Damp
Freq

500–15000 Hz,
THRU

Adjusts the frequency above which
sound fed back to the effect will be
cut.
High Damp, by attenuating the
higher frequencies first, makes the
delay sound more natural.

Delay Level

0–127

Volume of the delay sound.

Parameter

Value

Description

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