Kenwood XV-2020 - Manual (Page 73)

73
Creating a Performance
Creating a Performance
SEND LEVEL DRY
(Part Output Level)
Refer to p. 78.
SEND LEVEL CHO
(Part Chorus Send Level)
SEND LEVEL REV
(Part Reverb Send Level)
OUTPUT ASGN
(Part Output Assign)
OUTPUT SELECT
(Part Output MFX Select)
Parameter Value Description
VOICE RESERVE 0–63, FULL Specifies the number of voices that reserved for each Part when more than 64 voices are
played simultaneously.
* It is not possible for the settings of all Parts to total an amount greater than 64.
[Calculating the Number of Voices Being Used]
The number of notes, or “voices,” that the XV-2020 can sound simultaneously depends on
the number of Tones in the Patches you’re using and the number of keys being pressed.
For example, if you play one note using a Patch that consists of only one Tone, you’ll use
up one voice of polyphony. XV-2020 Tones may use two Waveforms. If a Patch’s Tone uses
two Waveforms, the number of voices it requires is doubled. If two keys are pressed with
a Patch that has four Tones, and each Tone uses two Waveforms, a total of sixteen voices
are used.
This number is obtained by performing the following calculation. Count the number of
Tones with two Waveforms and multiply this number by 2. Add the number of Tones that
use one Waveform. Multiply this total by the number of keys pressed.
The XV-2020 can play up to 64 Tones simultaneously. When you’re using the XV-2020
multitimbrally, keep this in mind, and adjust your Voice Reserve settings so that each Part
is guaranteed at least the minimum number of voices it requires.
OFFSET You can determine how a Part plays a sound by setting it to modify the sound’s programmed cutoff frequen-
cy, Resonance and TVF and TVA Envelope attack and release time settings.
OFFSET COF
(Part Cutoff Offset) -64–+63 Raises or lowers the TVF cutoff frequency settings for each of the Tones in the Part’s
sound.
OFFSET RES
(Part Resonance Offset) -64–+63 Raises or lowers the TVF Resonance settings for each of the Tones in the Part’s sound.
OFFSET ATK
(Part Attack Time Offset) -64–+63 Raises or lowers the TVF/TVA attack time (T1) settings for each of the Tones in the Part’s
sound.
OFFSET DCY
(Part Decay Time Offset) -64–+63 Raises or lowers the TVF/TVA attack time (T2 and T3) settings for each of the Tones in the
Part’s sound.
OFFSET REL
(Part Release Time Offset) -64–+63 Raises or lowers the TVF/TVA release time (T4) settings for each of the Tones in the Part’s
sound.
FADE LOWER#
(Part Keyboard Fade Width
Lower) 0–127 Determines what happens to the Part’s level when a note that’s lower than its specified
keyboard range is played. Higher settings result in a more gradual change in volume. If
you don’t want the Part to sound at all when a note below the keyboard range is played,
set this parameter to 0.
LOWER#
(Part Keyboard Range
Lower) C-1–UPPER Specifies the lowest note that causes the Part to play its sound.
UPPER#
(Part Keyboard Range
Upper) LOWER–G9 Specifies the highest note that causes the Part to play its sound.
* It is not possible to set Lower to a value greater than the Upper value, or Upper to a value
less than the Lower value.
FADE UPPER#
(Part Keyboard Fade Width
Upper) 0–127 Determines what happens to the Part’s level when a note that’s higher than its specified
keyboard range is played. Higher settings result in a more gradual change in volume. If
you don’t want the Part to sound at all when a note above the keyboard range is played,
set this parameter to 0.
Parameter Value Description
0 127
L.Fade value U.Fade value
Level
Upper Lower
Key number