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Compositing a subject and background (chroma key), Y (p. 33), Setting the dsk mode and dsk type – Roland V-160HD SDI/HDMI Streaming Video Switcher User Manual

Page 33: Compositing using dsk, Video composition operations

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33

Video Composition Operations

Compositing a Subject and Background (Chroma Key)

Here’s how you can cut out a video by turning its blue or green portion transparent, and then superimpose it on the background video. This lets

you composite a subject that’s photographed against a blue background or green background.

Blue or green

Background video

DSK video source

Setting the DSK mode and DSK type

1 .

[MENU] button

Ó

“DSK”

Ó

“DSK 1” or “DSK 2

Ó

select

“DSK MODE,” “DSK TYPE,” or “COLOR,” and press the

[VALUE] knob.

2 .

Use the [VALUE] knob to change the setting as shown below.

Menu item Setting
DSK MODE

SELF KEY

DSK TYPE

CHROMA

COLOR

Specify either “GREEN” or “BLUE” as the key color. You can

also specify a color you desire as the key color (p. 34).

3 .

Press the [MENU] button to quit the menu.

Compositing using DSK

Here we explain how to use “DSK 1” for compositing videos.
The operation is the same when using “DSK 2.”

1 .

Press the DSK 1 [SOURCE] button to turn it on (the button

lights up).

2 .

Press a DSK SOURCE [1]–[10] button to select the DSK

video source.

Magenta: DSK video source
White:

Video input available

Unlit:

Video input unavailable

Lit magenta

* When selecting a video not assigned to INPUT 1–10, set this from

the [MENU] button

Ó

“DSK”

Ó

“DSK 1”

Ó

“DSK SOURCE.”

3 .

Press the DSK 1 [PVW] button to turn on the preview

output (lit).

A preview of the composition results is displayed in the PVW

section of the multi-view.
At this stage, the final output has not yet been changed.

4 .

Use the DSK 1 [LEVEL] and [GAIN] knob to adjust the

degree of effect applied.

Knob

Explanation

[LEVEL]

Adjusts the degree of extraction (transparency) for the key.

[GAIN]

Adjusts the degree of edge blur (semi-transmissive region)

for the key.

5 .

Press the DSK 1 [PGM] button to turn on DSK compositing

(lit).

The composition results is sent to final output.

6 .

To turn off DSK compositing, press the DSK 1 [PGM]

button once again.

MEMO

Set the fade-in/out time for the DSK video to superimpose from

the [MENU] button

Ó

“TRANSITION TIME”

Ó

“DSK 1 TIME” or

“DSK 2 TIME.”

Turning DSK/PinP composition on/off in tandem

with video transitions

You can make DSK/PinP composition (p. 28) turn on/off in tandem

with the video transitions.
From the [MENU] button

Ó

“SYSTEM,” set “EFFECTS TRANSITION

SYNC” to “ON.”
After step 4, use the [AUTO] and [CUT] buttons or operate the

video fader to switch the video. DSK composition turns on, and the

composited result that is previewed is sent to final output.