Apple Logic (1.1) - Manual (Page 100)

100 Chapter C Connecting Logic to a Mixer
Given that the audio interface has sufficient inputs to handle all of the studio’s
equipment, you would connect your devices as follows:
• input 1—microphone (phantom power active)
• input 2—guitar (phantom power active)
• input 3—synthesizer 1 left output
• input 4—synthesizer 1 right output
• input 5—synthesizer 2 left output
• input 6—synthesizer 2 right output
• input 7—unused
• input 8—unused
• digital input—DAT digital output
• digital output—DAT digital input
• master output—into your amplifier and speakers
• headphone output—headphones
In Logic, you would set up six discrete Audio Input Objects on the Audio layer of your
Environment, as follows:
• Audio Input 1—mono
• Audio Input 2—mono
• Audio Input 3—stereo (for control of synthesizer 1’s left and right channels,
connected to inputs 3 and 4 of the audio interface)
• Audio Input 4—stereo (for control of synthesizer 2’s left and right channels,
connected to inputs 5 and 6 of the audio interface)
• Audio Input 5—stereo (for control of the left and right channels, connected to inputs
7 and 8 of the audio interface)
• Audio Input 6—stereo (for control of the left and right channels of the audio
interface’s digital input)
The outputs of the audio interface are addressed by the Output faders in the Audio
layer of the Environment.
To adjust the incoming levels of the external synthesizers, the microphone, guitar, and
DAT machine, you can simply change the level of the corresponding Audio Input
Object.
Important: The Audio > Audio Hardware & Drivers > Software Monitoring preference
must be active in order to hear incoming audio via the Audio Input Objects.