Roland SH-32 - Manual (Page 8)

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Contents
Other Settings (settings that can be saved to Patches) ........................................................................ 61
Settings for Use in Playing Monophonic Sounds (SOLO, LEGATO).................................... 61
Layering Sounds for Greater Fatness (UNISON) ..................................................................... 62
Applying the Portamento Function (PORTAMENTO, PORTA TIME) ................................ 62
Applying Analog-Like Modulation to the Pitch (ANALOG FEEL) ...................................... 62
Changing the Pan When Using Stereo Output (PAN) ............................................................ 63
Effect Settings ................................................................................................................................ 63
Saving the Sounds You Have Created (WRITE).................................................................................. 63
Auditioning to a Patch at the Save Destination........................................................................ 63
Chapter 3. Applying Effects to the Sound (INS-FX, REV/DELAY) ....64
About the Onboard Effects ..................................................................................................................... 64
Ways of Connecting Effects (INS > REV SERIES) .................................................................... 64
Using the Insertion Effects (INS-FX)...................................................................................................... 64
Turning the Insertion Effects On and Off.................................................................................. 64
Selecting the Insertion Effects Type (TYPE) .............................................................................. 64
Setting the Insertion Effects ......................................................................................................... 65
Using the Reverb/Delay (REV/DELAY).............................................................................................. 65
Turning the Reverb/Delay On and Off ..................................................................................... 65
Selecting the Reverb/Delay Type (TYPE) ................................................................................. 65
Setting the Reverb/Delay ............................................................................................................ 66
Applying Effects in Performance Mode................................................................................................ 66
Selecting the Effect Settings Used in a Performance (Effect Source) ..................................... 66
About Effect Settings in Performance Mode............................................................................. 67
Chapter 4. Playing the Rhythm Sets ...................................................68
Selecting Rhythm Sets and Playing the Percussion Instruments ...................................................... 68
Editing a Rhythm Set ............................................................................................................................... 68
Making Settings for the Overall Rhythm Set ............................................................................ 68
Making Settings for Each Rhythm Tone (Percussion Instrument) ........................................ 69
Saving Changed Settings (WRITE) ........................................................................................................ 70
Chapter 5. Using in Performance Mode..............................................71
Selecting a Performance and Playing the Patch for Each Part ........................................................... 71
Selecting the Patch for Each Part (Part Assign Mode) ............................................................. 71
Playing Sound in More Than One Part (Multitimbre) ........................................................................ 71
Layering Patches for a Thicker Sound (Part Stack Function)............................................................. 72
Editing a Performance ............................................................................................................................. 72
Settings Affecting the Overall Performance.............................................................................. 72
Making Settings for Each Patch or Rhythm Set in the Parts................................................... 73
Securing the Number of Oscillators in Each Part (Oscillator Reserve) ................................. 73
Saving Changed Settings (WRITE) ........................................................................................................ 73
Chapter 6. Using Arpeggiator (ARPEGGIATOR) ................................74
About Arpeggiator ................................................................................................................................... 74
Playing Arpeggios .................................................................................................................................... 74
Turning Arpeggiator On and Off ............................................................................................... 74
Determining the Tempo for Arpeggio Performances.............................................................. 74
Selecting Styles for Arpeggio Performances (STYLE) ............................................................. 74
The Relationship Between Arpeggio Styles and Rhythm Styles............................................ 75
Changing the Beat and Shuffle (GRID)...................................................................................... 75
Applying Staccato and Tenuto (DURATION).......................................................................... 76
Changing the Range of the Arpeggio (RANGE) ...................................................................... 76
Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds)
(MOTIF) .......................................................................................................................................... 76