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Midi implementation chart – Roland SH-32 User Manual

Page 116

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116

Function...

Basic
Channel

Mode

Note
Number :

Velocity

After
Touch

Pitch Bend

Control
Change

Program
Change

System Exclusive

System
Common

System
Real Time

Aux
Messages

Notes

Transmitted

Recognized

Remarks

Default
Changed

Default
Messages
Altered

True Voice

Note On
Note Off

Key's
Channel's

0, 32

1
5

6, 38

7
8

10
11
64
65
66
68
70
71
72
73
74
75
76
77
78
80
81
82
83
84
91
93
94
95

15–31, 33–94

100, 101

: True Number

: Song Position
: Song Select
: Tune Request

: Clock
: Commands

: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset

1–16
1–16

X
X

O
X

0–127

X
X

X

O
X
O
X
O
O
O
X
X
X
X
X
O
O
O
O
O
O
O
O
O
O
O
O
O
X
O
O
O
O
O
X

O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O

O

**************

O

X
X
X

O
X

X

X

X

X

O

X

1–16
1–16

Mode 3, 4
Mode 3, 4 (M = 1)

O
O

0–127
0–127

O
O

O

O
0–127

O

X
X
X

O *1
X

O

O

X

O (123–127)

O

X

Bank select
Modulation
Portamento time
Data entry
Volume
Balance
Panpot
Expression
Hold 1
Portamento
Sostenuto
Legato Foot Switch
Sound Controller 1
Sound Controller 2
Sound Controller 3
Sound Controller 4
Sound Controller 5
Sound Controller 6
Sound Controller 7
Sound Controller 8
Sound Controller 9
General Purpose Controller 5
General Purpose Controller 6
General Purpose Controller 7
General Purpose Controller 8
Portamento control
General purpose effects 1
General purpose effects 3
General purpose effects 4
General purpose effects 5

RPN LSB, MSB

* 1 O X is selectable.
* 2 Recognized as M=1 even if M

1.

* 3 When the arpeggio duration is set to Ft1 or Ft2

SYNTHESIZER MODULE

Model SH-32

Date : Oct. 30, 2001

Version : 1.00

MIDI Implementation Chart

**************

**************

Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO

O : Yes
X : No

* 2

Program No. 1–128

*3
*1

*1

* For more on the corresponding MIDI messages, carry out these procedures
while referring to the “MIDI Transmit/Receive Setting List” (p. 115).