Color space, Imager scan mode, Recording format – Sony LA-EA5 A-Mount to E-Mount Adapter User Manual
Page 28: Color space imager scan mode recording format
Setting the Basic Action
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Select the color gamut that is to be the basis of the
recorded signal and the output signal.
When “Shooting Mode” is set to “Cine EI,” select
the color gamut for video output of which MLUT
is set to off. When “Shooting Mode” is set to
“Custom,” “Color Space” is locked to “Matrix.”
Select it by using “Color Space” in “Base Setting”
of the System menu.
S-Gamut/SLog2: Wider gamut that is comparable
with a film camera.
S-Gamut3.Cine/SLog3: Color gamut that is easy
to adjust for digital cinema (DCIP3).
S-Gamut3/Slog3: Wide color gamut optimized by
Sony’s original image distortion correction
technology, and adaptable to the color gamut
that will be standardized in the future.
Matrix: Selects the color gamut by Matrix setting
as done with traditional cameras (when
“Shooting Mode” is set to “Custom”).
Note
Gamma curve is locked to “S-Log2” when “S-Gamut/
SLog2” is selected, gamma curve is locked to “S-Log3”
when “S-Gamut3.Cine/SLog3” or “S-Gamut3/SLog3” is
selected.
You can set the shooting method for the image
sensor.
Select the mode by using “Imager Scan Mode” in
“Base Setting”
Normal: Uses the full angle of Super 35 mm size
as it is, except at the high frame rate mode of
the Slow & Quick Motion function.
When “High Frame Rate Mode” in “S&Q
Motion”
of the Camera menu is set
to “2K Full Scan,” the full angle picture of
Super 35 mm size that is converted to 2K
data is used. When “High Frame Rate Mode”
in “S&Q Motion”
of the Camera
menu is set to “2K Center Scan,” the 2K
angle picture that is half of the Super 35 mm
size (center area of the picture) is used.
2K Full: Uses the full angle picture of Super 35
mm size that is converted to 2K data.
2K Center: Uses the 2K angle picture that is half
of the Super 35 mm size (center area of the
picture).
Selectable formats vary, depending on the system
frequency and main recorded signal settings.
Color Space
Imager Scan Mode
Recording Format
System
frequency
Main
recorded
signal
Format
59.94/50
YPbPr
XAVC 4K Class300*
XAVC QFHD Class300*
XAVC 2048 × 1080P
XAVC 1920 × 1080P
XAVC-L 50 1920 × 1080 i
XAVC-L 35 1920 × 1080 i
XAVC-L 25 1920 × 1080 i
(Only 59.94 is available
for XAVC-L.)
MPEG 1920 × 1080i
MPEG 1280 × 720P
SStP SR-SQ 422 (59.94
only)
DNxHD 220x HD i**
DNxHD 145 HD i**
ProRes 422 HQ HD i**
ProRes 422 HD i**
RGB
XAVC 2048 × 1080P***
XAVC 1920 × 1080P***
MPEG 1920 × 1080i***
AXS(R7/
R5)
XAVC 2048 × 1080P***
XAVC 1920 × 1080P***
MPEG 1920 × 1080i***
29.97/25/
23.98
YPbPr
XAVC 4K Class480*
XAVC 4K Class300*
XAVC QFHD Class480*
XAVC QFHD Class300*
XAVC 2048 × 1080P
XAVC 1920 × 1080P
XAVC-L 50 1920 × 1080 P
XAVC-L 35 1920 × 1080 P
(Only 29.97 is available
for XAVC-L.)
MPEG 1920 × 1080i
SStP SR-SQ 422
SStP SR-Lite 422
DNxHD 220x HD P**
DNxHD 145 HD P**
ProRes 422 HQ HD P**
ProRes 422 HD P**
RGB
XAVC 2048 × 1080P***
XAVC 1920 × 1080P***
MPEG 1920 × 1080i***
SStP SR-SQ 444
ProRes 4444 HD P**
AXS(R7/
R5)
XAVC 2048 × 1080P***
XAVC 1920 × 1080P***
MPEG 1920 × 1080i***