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Deleting a sample, Creating a multisample (create multisample), D (p. 30) – Roland E-A7 61 Key Expandable Arranger Keyboard User Manual

Page 30: Creating sounds

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30

Creating Sounds

The Sample Edit screen appears.

6.

Edit the sample.

Use the direct buttons to select the parameter that you want to edit.
Use the Value

[-]

[+]

buttons to edit the value. Alternatively, you can

use the

[Balance/Value]

knob (when the Value function is active /

LED unlit) to edit the value.

Page

Button

Explanation

1

[F1]

(Zoom H -)

Zooms-out horizontally.

[F2]

(Zoom H +)

Zooms-in horizontally.

[F3]

(Preview)

Auditions the currently-edited sample.

[F5]

(Page+)

Moves to the next page.

[L3]

(Sample Number)

Displays the sample number.

[L4]

(Zoom V +)

Zooms-in vertically.

[L5]

(Zoom V -)

Zooms-out vertically.

[R3]

(Start Point)

This is the playback start point. By

editing this you can skip an unwanted

portion at the beginning of the

waveform so that the sample starts at

the right moment.

[R4]

(Loop Start)

This is the point at which repeated

playback (the second and subsequent

plays) will start. Set this if you want to

loop from a point that is different than

the start point.

[R5]

(End Point)

This is the playback end point. By

editing this you can omit an unwanted

portion at the end of the sample.

2

[F5]

(Page -)

Moves to the previous page.

[R3]

(Original Key)

Specifies the note number that plays

the sample at its original pitch. C0–B8

[L3]

(Loop Mode)

Turns loop playback on/off.

If the loop start position has been

specified

After the Sample played back from

START to END, it will then be repeatedly

played back in the forward direction,

from the LOOP to END.

START

LOOP

END

[R4]

(Sample Gain)

Adjusts the gain of the sample.
0, +6, +12 dB

[R5]

(Sample Level)

Adjusts the volume of the sample.
0–127

7.

To save the sample, press the

[Write]

button.

A screen appears in which you can name the sample.

&

“Assigning Names”

(p. 16)

If you decide to cancel, press the

[Exit]

button.

8.

Press the

[F5]

(Exec) button.

9.

Use the direct buttons and function buttons to select

the save-destination.

10.

Press the

[Enter]

button.

A confirmation message appears.

11.

To save, select

“Yes.”

If you want to change the save-destination, select

“No”

to return to

the page where you can specify the save-destination.

NOTE

If a sample already exists in the save-destination, the previous

sample is deleted.

If you want to keep that sample, use the UST Export or UDK

Export function to save it (p. 32, p. 34).

Deleting a Sample

1.

Press the

[Sampling]

button.

The Sampling Menu screen appears (you can also access this via the

Menu).

2.

Press the

[R1]

(Sample List) button.

The Sample List screen appears.

MEMO

By using the direct buttons to select a sample and pressing the

[F3]

(Preview) button, you can audition that sample.

3.

Press the

[Option]

button.

The Sample Option screen appears.

4.

Use the direct buttons to select

“Delete.”

5.

Use the direct buttons to select the sample that you

want to delete.

MEMO

You can select multiple samples.
If you choose

[F1]

(Select All), all samples are selected. Press the

button again to clear the selection.

6.

Press the

[Enter]

button.

A confirmation message appears.

7.

Use the function buttons to select

“YES.”

The sample is deleted.
If you decide not to delete, select

“NO.”

Creating a Multisample

(Create Multisample)

A

“multisample”

is a set of different samples assigned to each note

of the keyboard. One multisample lets you assign up to 128 samples

that are split (divided) across the notes of the keyboard.

You can’t listen to a multisample unless it’s assigned to a tone. When creating a

multisample, you start by selecting multiple samples to create the multisample,

and then assign the multisample to a tone for use.

If, for example, only one note (e.g., the sound of the C4 key) is sampled from

a wide-ranging instrument such as a piano, and assigned to the entire range

of keys, it will sound unnatural when played significantly below or above its

original pitch. If the instrument is sampled at several different pitches and

assigned to different ranges of the keyboard, this unnatural effect can be

minimized.

128 split

(128 key)

sample No.0001

original key

C3

sample

No.0002

original key

C4

sample No.0003

original key

C5

7

: original key

split point

split point

In the Create Multisample function, the split points are automatically

determined according to the original key of each sample.
Before you begin this process, you should set the original key of each sample to

the range where you want it to be assigned.