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TC-Helicon VoiceLive 3 - Reference Manual User Manual

Page 39

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VoiceLive 3 overview

VoiceLive 3 – Reference manual (2014-03-29) 37

Remapping a footswitch

Since you have just seen the Buttonmap page,
this is a good time to remap a footswitch to a
different effect.

Since there are 11 vocal effects and 9 guitar ef-
fects in VoiceLive 3, but only 6 footswitches, the
ability to assign new functions to these foot-
switches gives you a lot of flexibility.

Let’s remap µMod to HardTune. Later, you can
remap any footswitch as you wish, for this ex-
ample, please follow along.

– Press the Vocal button.
– Navigate to the Buttonmap tab using the <

and > buttons.

– Use the Control Knob to highlight the line

starting with “µMod”. It’s at the top of the
page.

As you can see, the µMod is assigned to the

µMod effect.

– Use the far left Mix Knob to remap the µMod

footswitch to HardTune.

Remapping the µMod footswitch to HardTune

– Press Home.
If you look at the top left corner of the screen,

you should see HardTune there, µMod will be
gone.

µMod footswitch remapped to HardTune

When you press the µMod footswitch, you will
see that HardTune is now controlled by that but-
ton.

Remapping can be performed for any effect in
VoiceLive 3. Vocal and Guitar effects are not re-
stricted to their “home layers”. This means that

you can remap a vocal effect to the guitar
layer – and vice versa

.

Since the Buttonmap page is available in each
Preset, for both vocal and guitar layers, you can
create a custom button mapping for every Preset
in VoiceLive 3.

Here are some Buttonmap examples:

– Remap a Guitar effect to Shift, so you have

easy access to the Octaver effect.

µMod footswitch remapped to Octaver

– Change a Vocal effect to Synth, so you can

use the Talkbox effect.

Reverb footswitch remapped to Synth

– Move Guitar HIT from the Guitar layer to the

Vocal layer, so you can change multiple guitar
sounds/effects without leaving the Vocal layer.
To control multiple Vocal and Guitar effects si-
multaneously without having to leave the cur-