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Synth source sub-menu, Lfos, Envelopes & ramps – FXpansion DCAM Synth Squad Operation Manual User Manual

Page 67: Additional synth sources in cypher, Oscillators as lfos, Oscillator beating rates as lfos

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• MRand2

+

-

Identical to MRand1

+

- but using pink noise

• MRand2+

As above but uni-polar

• VMRand1

+

-

A random number per voice, per parameter, that is generated at synth load time, generated
using white noise
This source is useful for having a set of random values that stays constant throughout the
current session.

• VMRand1+

As above but uni-polar

• VMRand2

+

-

Identical to VMRand1

+

- but using pink noise

• VMRand2+

As above but uni-polar

• Drift

+

-

Slowly changing random LFO
This can be used to simulate subtle parameter drift in hardware analogue synths – for
example. small amounts of modulation on osc pitch can simulate drifting VCOs.

Synth source sub-menu

LFOs

Each available LFO is presented as 3 sources in the TransMod system:

• LFO

+

-

Bi-polar LFO

• LFO+

Uni-polar LFO

• LFOGate+

Gate output of lfo (square wave)

Envelopes & Ramps

Each available Envelope and Ramp is presented as 2 sources in the TransMod system. This includes all Mod Envelopes
(Env), Amp envelopes (AmpEnv) and the Synth/Ensemble envelopes in Amber.

• Ramp+

Ramp (positive)

• Ramp-

Inverted ramp
This is very useful as a triggered envelope shape (it is not gated like an envelope).

• Env+

Envelope (positive)

• Env-

Inverted envelope – emulates the invert switch available on many synth envelopes

Additional Synth sources in Cypher

Cypher features some extra sources derived from its specialised oscillator functions.
Note: While the oscillators feature certain hard-wired audio-rate modulation functions, all of the TransMod sources derived

from the oscillators are quantized to control-rate.

Oscillators as LFOs

The main purpose of these sources is to use an oscillator as an additional LFO, by engaging the

Low button to set the

osc to LFO mode (the LFO rate is set using the

Beat control). The LFO shape is derived from the oscillator’s waveform,

which can be modulated using the

Wave control.

• Osc1

+

-

The frequency of Osc1 (shaped with Osc1 waveform)

• Osc2

+

-

The frequency of Osc2 (shaped with Osc2 waveform)

• Osc3

+

-

The frequency of Osc3 (shaped with Osc3 waveform)

Oscillator beating rates as LFOs

The following sources provide the beating rates of two oscillators against each other (effectively the difference in phase
between them), applied to the shape of one of the oscs. Whether you are using the

Beat control for constant beating

rates, or simply using the

Scale controls to detune normally with variable beating rates across the keyboard, osc beating

rates are always calculated and provided as TransMod sources.

• Beat12

+

-

Osc1 phase - Osc2 phase (shaped with Osc1 waveform)

• Beat21

+

-

Osc2 phase - Osc1 phase (shaped with Osc2 waveform)

• Beat23

+

-

Osc2 phase - Osc3 phase (shaped with Osc2 waveform)

• Beat32

+

-

Osc3 phase - Osc2 phase (shaped with Osc3 waveform)

• Beat31

+

-

Osc3 phase - Osc1 phase (shaped with Osc3 waveform)

• Beat13

+

-

Osc1 phase - Osc3 phase (shaped with Osc1 waveform)