Yamaha REX50 - Manual (Page 22)

Distortion Level (DISTORTION): 0 - 100%
Sets the "degree" or "depth" of the distortion por­
tion of the effect.
E/R Balance (E/R BAD: 0 - 100%
Determines the amount of gate reverb or reverse
gate effect applied to the distortion sound.
Tone (TONE): 560 Hz, 800 Hz, 1.0 kHz, 1.5 kHz, 2.0
kHz
This parameter produces a tonal emphasis in the
selected frequency range.
Early Reflection Pattern (TYPE):
HALL/RANDOM/REVERSE/PLATE
The TYPE parameter selects one of four different pat­
terns of early reflections.
Room Size (ROOM SIZE): 0.1 - 20.0
This parameter sets the time intervals between the
early reflections.
Liveness (LIVENESS): 0 - 1 0
Increasing the value of this parameter creates an in­
creasingly "live" sound, simulating an increasing
area of reflective surfaces in a room.
Delay (DELAY): 0.1 - 400.0 ms
The time delay between the direct sound of the in­
strument and the first of the early reflections.
Trigger Level (TRG. LEVEL): 1 - 1 0 0
Determines the amplitude of the input signal required
to trigger the effect. This parameter, in conjunction
with the RELEASE parameter below, functions ef­
fectively as a noise gate to cut out hiss and noise
when an input signal is not present. TRG LEVEL
should be set so that the effect is activated only
when a note is played on the instrument used.
Release Time (RELEASE): 5 — 32000 ms
Determines the amount of time it takes for the distor­
tion gate to close after the input signal drops below
the trigger level. Proper setting of the RELEASE
parameter is essential to allow a natural decay of the
source instrument sound.
/ 24. DIST. + GATE RE\T7
/ 25. D. + REVERSE GATE~7
/ 26. DIST. -I- DELAY /
Distortion Level (DISTORTION): 0
100
%
Sets the "degree" or "depth" of the distortion por­
tion of the effect.
Delay Balance (DELAY BAL): 0 - 100%
Determines the amount of delay or echo effect ap­
plied to the distortion sound.
Left Channel Delay (Lch DELAY): 0.1 - 500.0 ms
Sets the time between the direct sound of the instru­
ment and the first repeat heard from the left channel.
Left Channel Feedback Gain (Lch F.B): -99% —
-H 99%
Sets the amount of the left-channel delay signal fed
back to the input of the processor. The higher the
feedback gain setting, the greater the number of
delayed repeats produced.
Right Channel Delay (Rch DELAY): 0.1 — 500.0 ms
Sets the time between the direct sound of the instru­
ment and the first repeat heard from the right
channel.
Right Channel Feedback Gain (Rch F.B): -99% —
99%
Sets the amount of the right-channel delay signal fed
back to the input of the processor. The higher the
feedback gain setting, the greater the number of
delayed repeats produced.
High Frequency Feedback (HIGH): 0.1 — 1.0
Controls feedback in the high-frequency range. The
high-frequency feedback is reduced as the value of
this parameter is decreased.
Midrange EQ Frequency (MID FRQ.): 560 Hz, 800 Hz,
1.0 kHz, 1.5 kHz, 2.0 kHz
Sets the mid-frequency range to be boosted or cut
using the next parameter: MID GAIN.
Midrange EQ Gain (MID GAIN): - 1 2 — -Hl2dB
Boosts or cuts response in the frequency range set
by the MID FRQ parameter (above). A setting of 0
produces no boost or cut. Minus settings (e.g: -6
dB) cut response in the selected frequency range,
while plus settings (e.g:
-I- 12 dB) boost response.
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