beautypg.com

Page head, Page head clock and synchronization in system 6000, Synchronization – TC Electronic Broadcast 6000 User Manual

Page 61

background image

61

paGe Head

in dept

H

61

paGe Head

ClOCK and synCHrOnIzaTIOn In sysTem 6000

Figure 11 Digital studio setup with an ADC or DAC as

master.

• Digital signal (not carrying audio) e.g. AES11 or word

clock.

This way typically involves a device that makes

synchronization signals for the audio processing devices

in the setup.

This word clock generator is the master at all times and

all the audio devices are slaves.

The word clock is a square wave signal (typically TTL

level, 0 to 5V) with a frequency equal to the sample rate

e.g. 48kHz. The impedance is 75 ohm and the connector

is RCA phono or BNC.

The AES11 is an AES signal without audio and therefore

the connector is XLR with a 110 ohm impedance.

Figure 10 Zoomed (frq. only). System 6000 and

conventional design in slave-mode. Wide band jitter

applied.

On Figure 10 25 ns peak wide band jitter has been

applied to both System 6000 (lower) and a conventional

design (upper). The jitter level has formed a noise floor at

approx. -80 dB with reference to the 20 kHz tone on the

conventional design. The System 6000 curve reflects the

jitter rejection filter curve up to approx. 300 Hz (20 kHz +/-

300 Hz on this picture). Beyond 300 Hz the System 6000

has reduced the jitter so much that it is hidden in the noise

floor.

Synchronization

Synchronization: The digital signal, word clock or AES 11.

There are several ways to obtain synchronization in a

setup: Using a digital signal (carrying audio), a digital signal

(not carrying audio) or a word clock.

• Digital signal (carrying audio).

This is the simplest way to obtain sync and it involves

only the two (or more) audio devices that are connected.

Typically the transmitting device is the master and the

receiving device is the slave.

As mentioned earlier there is jitter to take into account

when selecting which device to be the master of timing.

Typically the internal clock in a device is the cleanest and

therefore when recording it is often the ADC that is the

master (see Figure 11). To get the best DA conversion

when mixing the DAC is often the master. But the DAC is

a receiver of the audio signal and therefore it is necessary

to send a synchronization signal from the DAC back to the

rest of the system. This can be done with a digital signal

that is or is not carrying audio and to which the system is

slave.