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Line inputs, Conductor input plug 2-conductor input plug, Monitor 1 xlr outputs – Telos ZephyrExpress User Manual

Page 58: Direct isdn receive outputs

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Z

EPHYR

E

XPRESS HARDWARE

3-17

microphones),

-45dBu

(most dynamic and condenser mics), or

-30dBu

(very hot

condenser mics or dynamics in loud environments).

Either microphone input’s sensitivity can also be set to

line

, with a nominal level of

+1dBu, for use as an additional line input. When

line

is selected, phantom power is not

available.

w

IMPORTANT!

We don’t recommend using unbalanced microphones.

Aside from the fact that their wiring is less immune to noise, using an
unbalanced mic while phantom power is turned on can damage the mic,
ZephyrExpress, or both.

Line Inputs

These jacks also accept standard 1/4" phone plugs, either balanced 3-conductor or
unbalanced 2-conductor. Level is nominal

-10dBu

or

+4 dBu

, as selected in the

Audio

submenu. Peak input level is +19dBu.

The line input impedance is approximately 100k

W, so it will bridge almost any source.

Some transformer-coupled devices or equalized analog telephone lines may require a
680

W resistor in parallel to prevent high-frequencies from being emphasized.

3-conductor

input plug

2-conductor

input plug

CONTACT

FUNCTION

CONTACT

FUNCTION

Tip

Audio +

Tip

Audio +

Ring

Audio -

Sleeve

Ground

Sleeve

Ground

If using an unbalanced source with a 3-conductor plug, wire the ground to both the ring
and the sleeve.

Monitor 1 XLR outputs

These carry the stereo signal from the Monitor 1 mixer, for use with monitor amps and
public address systems. Their signal switching and volume is controlled from the front
panel, and signal panning is controlled in the

Audio

menu.

Direct ISDN Receive outputs

These are the direct outputs of the audio decoder, with no level control or panning. Their
primary use is to feed a cue-only circuit when both monitor mixers are being used for
other purposes, or for when ZephyrExpress is being used as a remote receiver only.

If you want to hear the local microphones through these outputs, they have to be sent
back from the distant studio (which will result in coding delays).