Checking stereo master tracks, Ee “checking stereo master, 9 – mixdown and mastering – Teac DP-006 User Manual
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74
TASCAM DP-006
9 – Mixdown and mastering
Checking stereo master tracks
After creating a stereo master track, you can listen to it by following these
procedures.
1. When the recorder is stopped, press the REC MODE button to open the
RECORDER MODE
screen.
2. Use the DATA wheel to select (highlight) the MASTER PLAY item.
3. Press the F4 [EXEC] button.
After a Master Play! pop-up message appears, the recorder
switches to MASTER PLAY mode, and the Home Screen reopens.
NOTE
•
When the recorder is in MASTER PLAY mode, MASTER PLAY appears
highlighted at the top left of the Home Screen.
•
If there is no stereo master track, a No Master Trk pop-up message
will appear and the recorder mode will not change to MASTER PLAY.
4. In this mode, press the Play (7) button to play the stereo master track.
The stereo master track signal is output from the /LINE OUT jack, so it
can also be dubbed to an external stereo recorder.
5. After you have created a stereo master track that you are satisfied with,
press the REC MODE button to open the RECORDER MODE screen,
and use the DATA wheel to return the recorder to MULTI TRACK
mode.
If you are not satisfied with the stereo master track, you can create a new
one. A new stereo master track will overwrite the previous one.
NOTE
To listen to the recorded stereo master track of a saved song, load that
song, set the recorder mode to MASTER PLAY and then press the Play
(7) button to start playback.
TIP
•
When creating a stereo master track, you can play along with the mixdown
signal and record that sound through INPUT A/B to mix it with prere-
corded tracks.
•
When this recorder is in MULTI TRACK mode, you can transfer a stereo
master mix created on this unit as a file that can be played back on a
computer. (See “Exporting stereo master tracks” on page 92.)
•
When this recorder is in MULTI TRACK mode, you can copy a stereo
master track to TRACK 1 and TRACK 2 or stereo TRACK 3 or TRACK 4 by
cloning the track. (See “CLONE TRACK (track duplication)” on page 69.)