ART Pro Audio DMV-Pro - Dual True-Stereo Effects Processor - Manual (Page 8)

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called Dry Kill that will conveniently turn off the dry signal path inside the unit. Each preset’s Mix value is still
retained, even though all dry sound is eliminated. To enable Dry Kill, turn on the DMV-PRO and press the
MIDI/Util button. Turn the Preset Encoder (the knob on the far right of the unit) until the top line of LCD (A)
reads: “Dry Kill:” then turn Processor (A)’s encoder until “ON” appears on the bottom line. By enabling Dry Kill,
you have turned off or “killed“ the path for dry sound. Press the MIDI/Util button again to exit the MIDI/Util
Mode. For more information on Dry Kill, see page 10.
STRAIGHT INTO AN AMP:
If you’re patching the DMV-PRO into an instrument amplifier or stereo monitor amplifier, use one cord
between the instrument and the DMV-PRO’s Input #1. Run a second cord from Output #1 to the amp’s input.
If the amp has stereo input capabilities, or if you’re using two amps, connect another cord between the DMV-
PRO’s Output #2 and the amplifier’s other input. You can also plug a second output from your instrument (or
the output from another instrument) into the DMV-PRO’s Input #2. Don’t forget that the DMV-PRO can also be
used as two separate, stereo processors, or even as four separate, mono processors. Imagine the Power!
IN AN AMP’S EFFECTS LOOP:
If you’re patching the DMV-PRO into a guitar (or other instrument) amplifier’s mono effects loop, use one cord
between the amp’s Effects Send jack and the DMV-PRO’s Input #1. Run a second cord from Output #1 to the
amp’s Effects Return jack. (If the amp has stereo returns, use another cord to connect the DMV-PRO’s
Output #2 to the amp’s other Effects Return jack.) Again, don’t forget that the DMV-PRO has the power to act
as two separate, stereo processors or four separate, mono processors.