ART Pro Audio DMV-Pro - Dual True-Stereo Effects Processor - Manual (Page 33)

- 29 -
Effect Class:
Classes are effect variations and are named after the applications they are optimized for. Each effect has six
classes and their names, sounds, and adjustable parameters vary based on the effect. (See page 31 for a
description of all effects and their classes.)
Mix
This parameter sets the ratio of unprocessed (dry) sound to processed (wet) sound, with a range from 0% to
100% (0 = all dry, 100 = all wet). Enabling Effect Bypass is equivalent to turning the Mix control to 0. If Dry Kill
is active, Mix sets the total output level of the DMV-PRO. (For information on Dry Kill, see page 10.) For
example, if Dry Kill is active and Mix is set to 0, no sound will come from the unit. Conversely, if Dry Kill is
active and Mix is set to 100, the highest effect output level is achieved.
Low EQ
An effect’s low equalization control is inline with the processed (wet) signal. It has a maximum bass boost/cut
amount of ±15 dB (in 1-dB steps) and is musically balanced with variable frequency points and a constant
slope. The boost characteristics of this curve favorably compensate for typical bass losses within audio
systems.
Bass Control
-20
-15
-10
-5
0
5
10
15
20
10 100 1000 10000
Frequency in Hz (Log Scale)
Bo
o
st (d
B
)
High EQ
Like the Low EQ, an effect’s high equalization control is also inline with the processed (wet) signal. It has a
variable slope with a maximum treble boost/cut amount of ±15 dB (in 1-dB steps).