Digital delay – ART Pro Audio DMV-Pro - Dual True-Stereo Effects Processor User Manual

Page 39

- 35 -

M ic

S e pe

ratio

To left o

u tput

To right o

u tput

',*,7$/'(/$<

These algorithms delay a signal in time. The maximum delay length, per channel, is 1.25 seconds. Up to twelve delay

taps are available and can be equally and unequally spaced within the span of the delay length. Some delay classes

have dynamics sensing, which can use input level to switch the effect in and out or change the Regeneration value.

The Ambient class creates a special miked-speaker simulation.

DELAY CLASSES:

Ducking

The Ducking Delay is the traditional digital delay effect with the addition of dynamics sensing, which can be

used to fade the effect in and out when the

Effect Enabled (threshold) setting is crossed. The Attack/Release

control sets the effect’s fade time.

Classic

This class recreates the sound of the “classic” digital delay. Regeneration bandwidth is controlled to produce

the characteristic sound and to emphasize the most recent material.

Concert

The Concert Delay is full-featured with extended regeneration bandwidth.

Gated

The Gated Delay is the traditional digital delay effect with the addition of dynamics sensing, which can be

used to duck the effect in and out depending on the

Effect Enabled parameter’s setting.

Mic Placement

This class is a specialized multi-tap delay system for creating

stereo images. It can simulate close and far miking techniques.

With small Cabinet Size settings, this algorithm emulates a close

miked stereo speaker cabinet. With large Cabinet Size settings,

you can realistically simulate the miking of a wide speaker array,

such as when recording a live concert. This class is not

available with a mono routing.