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Using the dp570 in postproduction, Connecting the dp570, Chapter 7: using the dp570 in postproduction – Dolby Laboratories DP570 User Manual

Page 65: 1 connecting the dp570, Figure 7-1, Mixing console dp572, Chapter 7, E recorded media

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Dolby

®

DP570 Multichannel Audio Tool User’s Manual

53

Chapter 7

Using the DP570 in

Postproduction

The DP570 can be used in a variety of postproduction settings. We discuss one example.

The instructions in this section allow you to use the DP570 to respond quickly with 
necessary changes and improvements to the mix.

7.1

Connecting the DP570

In the example shown in Figure 7‐1, the mixing console is used to create a 5.1‐channel mix, 
which is then fed to the DP570. The user selects dynamic range control and downmix 
parameters and auditions them in various monitor modes before starting to record the 
DP571 output. For playback of the recorded tape, the VTR audio outputs are fed to a 
DP572. Afterward, the DP572 outputs are rerouted to the DP570 for monitoring via a 
console or monitor box.

This basic setup is effective for creation and editing of Dolby

®

 E recorded media.

Figure 7-1

Typical Postproduction Setup

DP570

DP571

DP563

L/R

Ls/Rs

C/LFE

Lt/Rt

In

VTR

Main

Out

PCM

Delay

Out

1/2

5/6

3/4

1/2

1/2

3/4

3/4

5/6

5/6

Digital

Through

Digital

In

Digital

Audio

Inputs

Analog

Outputs

1/2

3/4

5/6

Digital

Audio

Inputs

5.1-Channel Monitor

R

C

L

SW

Rs

Ls

7/8

Metadata

In

Video Ref

PCM Delay
Input

Mixing

Console

DP572

Main
In

Video

Ref

Video Ref

Main

Out

1/2

3/4

PCM Delay
Input

Video Ref

Metadata Out

Router

Outputs

Digital
Audio
Outputs

1/2

3/4

5/6

7/8

7/8