Using the dp570 in postproduction, Connecting the dp570, Chapter 7: using the dp570 in postproduction – Dolby Laboratories DP570 User Manual
Page 65: 1 connecting the dp570, Figure 7-1, Mixing console dp572, Chapter 7, E recorded media
Dolby
®
DP570 Multichannel Audio Tool User’s Manual
53
Chapter 7
Using the DP570 in
Postproduction
The DP570 can be used in a variety of postproduction settings. We discuss one example.
The instructions in this section allow you to use the DP570 to respond quickly with
necessary changes and improvements to the mix.
7.1
Connecting the DP570
In the example shown in Figure 7‐1, the mixing console is used to create a 5.1‐channel mix,
which is then fed to the DP570. The user selects dynamic range control and downmix
parameters and auditions them in various monitor modes before starting to record the
DP571 output. For playback of the recorded tape, the VTR audio outputs are fed to a
DP572. Afterward, the DP572 outputs are rerouted to the DP570 for monitoring via a
console or monitor box.
This basic setup is effective for creation and editing of Dolby
®
E recorded media.
Figure 7-1
Typical Postproduction Setup
DP570
DP571
DP563
L/R
Ls/Rs
C/LFE
Lt/Rt
In
VTR
Main
Out
PCM
Delay
Out
1/2
5/6
3/4
1/2
1/2
3/4
3/4
5/6
5/6
Digital
Through
Digital
In
Digital
Audio
Inputs
Analog
Outputs
1/2
3/4
5/6
Digital
Audio
Inputs
5.1-Channel Monitor
R
C
L
SW
Rs
Ls
7/8
Metadata
In
Video Ref
PCM Delay
Input
Mixing
Console
DP572
Main
In
Video
Ref
Video Ref
Main
Out
1/2
3/4
PCM Delay
Input
Video Ref
Metadata Out
Router
Outputs
Digital
Audio
Outputs
1/2
3/4
5/6
7/8
7/8