PreSonus StudioLive 24.4.2 - Manual (Page 56)

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4 Controls
4.5 Subgroups
StudioLive™ 24.4.2/16.4.2
Owner’s Manual
3. Next, decide which channels should be sent to the effects
bus. In dub and reggae music, the vocals are most commonly
sent to a delay, so let’s send our two vocalists on Channels 10
and 11 to that delay. To assign the vocals, select the Mix
button on EFX A.
4. Using the meter section, locate the send encoders for
channels 10 and 11 and turn them to a little more than 50%.
5. Press the Select button for EFX A and assign this bus to
Subgroup 3. If you like you can also add some dynamics
processing and EQ at this point.
6. Press the Select button for Subgroup 3 and assign the group
to the Main output. (Because a delay can increase the signal’s
volume quite dramatically, you may want to experiment with
the delay at its most intense setting, with EFX A’s output
turned up, and use the limiter for Subgroup 3 to keep the
level under control.)
The vocal-delay level is now controlled by the Subgroup 3 fader,
and you can use it to season the reggae band’s performance.
The Tap button allows you to go one step further and set the tempo of the delay to
match the tempo of the song.
Mix
On Shelf On Hi Q On
Select
Mute
Solo
Select
Mute
Solo
Select
Mute
Solo
Select
Mute
Solo
Select
Select
SUB1 SUB2 SUB3 SUB4
Select