SM Pro Audio V-Machines - Manual (Page 47)

V-­‐Machine
Operating
Manual
Page
47
of
88
SM
Pro
Audio
Figure
23
Each
oscillator
in
SuperWave
P8
has
its
own
filter
and
envelopes,
but
they
share
a
pair
of
LFOs
and
a
pair
of
delay
effects.
SynthEdit
15
and
15.5.
These
virtual
analog
synths
have
a
mystifying
graphic
front
panel
and
an
equally
mystifying
voice
design,
but
check
out
the
patches:
They
sound
good.
SynthEdit
Air4th.
As
you’ll
discover
when
you
try
editing
this
simple
but
airy-­‐sounding
analog-­‐style
synth
in
the
VFX
Application,
the
panel
controls
are
labeled
in
the
Cyrillic
alphabet.
No
worries,
though:
The
VFX
Application
panel
and
the
pop-­‐up
tooltips
are
in
English.
Texture.
Dual
filters
(but
only
one
oscillator)
and
a
16-­‐step
gate
sequencer
liven
the
mix
on
this
monophonic
analog-­‐type
synth.
4Front
TruePianos.
A
very
playable
sampled
grand
piano.
Other
than
a
switch
for
the
reverb
and
adjustable
velocity
response,
there
are
no
editable
parameters
–
but
there
are
no
editable
parameters
on
a
real
piano
either!
Play
and
enjoy.
(For
more
information,
visit
www.truepianos.com.)
4Front
Piano,
E-­Piano,
and
Bass
Modules.
These
modules
have
no
editable
parameters.
The
sampled
acoustic
piano
won’t
get
you
to
Carnegie
Hall,
but
the
E-­‐Piano,
sampled
from
an
FM
synth
with
reverb,
is
very
playable.
The
sampled
electric
bass
has
a
nice
round
sound
that
would
work
well
in
a
keyboard
split
onstage.
(For
more
information,
visit
www.opensound.com/proaudio.html.)