Roland Sonar V-Studio VS-700 User Manual

Page 107

107

Creating a Patch

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Tone Delay Time

Specifies the time from when the key is pressed (or if the

Delay Mode parameter is set to “OFF-N” or “OFF-D,” the time

from when the key is released) until when the tone will

sound.

Value:

0–127,

Note

Tone Delay Time specifies the beat length for the

synchronized tempo when the tempo that specifies the

elapsed time until the tone is sounded (Patch Tempo) is

synchronized with the tempo set in an external MIDI

sequencer.

(Example)

For a tempo of 120 (120 quarter notes occur in 1 minute (60

seconds))

Tone Coarse Tune

★

Adjusts the pitch of the tone’s sound up or down in semitone

steps (+/-4 octaves).

Value:

-48– +48

Tone Fine Tune

★

Adjusts the pitch of the tone’s sound up or down in 1-cent

steps (+/-50 cents).

Value:

-50–

+50

One cent is 1/100th of a semitone.

Random Pitch Depth

This specifies the width of random pitch deviation that will

occur each time a key is pressed. If you do not want the pitch

to change randomly, set this to “0.” These values are in units

of cents (1/100th of a semitone).

Value:

0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80,

90, 100, 200, 300, 400, 500, 600, 700, 800, 900,

1000, 1100, 1200

Setting

Delay time

(half note)

1 second (60 / 60 = 1 (second))

(quarter note)

0.5 seconds (60 / 120 = 0.5 (seconds))

(eighth note)

0.25 seconds (60 / 240 = 0.25 (seconds))

Tone Delay

This produces a time delay between the moment a key

is pressed (or released), and the moment the tone

actually begins to sound. You can also make settings

that shift the timing at which each tone is sounded. This

differs from the Delay in the internal effects, in that by

changing the sound qualities of the delayed tones and

changing the pitch for each tone, you can also perform

arpeggio-like passages just by pressing one key.

You can also synchronize the tone delay time to the

tempo of the external MIDI sequencer.

If you are not going to use Tone Delay, set the

Delay Mode parameter to “NORM” and Delay Time

parameter to “0.”

• If the Structure parameters set in the range of “2”–

”10,” the output of tones 1 and 2 will be combined

into tone 2, and the output of tones 3 and 4 will be

combined into tone 4. For this reason, tone 1 will

follow the settings of tone 2, and tone 3 will follow

the settings of tone 4 (p. 101).

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