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P. 94), Tri tap dly (triple tap delay), Quad tap dly (quadruple tap delay) – Roland VR-760 User Manual

Page 94

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94

Effects/Parameter List

18: MOD DELAY (Modulation Delay)

Adds modulation to the delayed sound, producing an effect similar
to a flanger.

When Mode is NORMAL:

fig.02-018am

When Mode is CROSS:

fig.02-018bm

19: TRI TAP DLY (Triple Tap Delay)

Produces three delay sounds; center, left and right.

fig.02-019m

20: QUAD TAP DLY

(Quadruple Tap Delay)

This effect has four delays.

fig.02-020am

fig.02-020bm

Stereo location of each delay sound

Parameter

Value

Explanation

Delay L

0.0–500.0 ms

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Delay R

Feedback

-98–+98%

Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

Mode

NORMAL, CROSS

Selects the way in which delay
sound is fed back into the effect
(See the figures above.)

Rate #

0.05–10.00 Hz

Frequency of modulation

Depth

0–127

Depth of modulation

Phase

0–180˚

Spatial spread of the sound

HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output Level

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

Modulation

Modulation

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

Modulation

Modulation

Parameter

Value

Explanation

Delay C

200–1000 ms, note

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Delay L
Delay R
Feedback #

-98–+98%

Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

Level C

0–127

Volume of each delay sound

Level L
Level R
HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output Level

Parameter

Value

Explanation

Delay 1–4

200–1000 ms, note

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Level 1–4

0–127

Volume of each delay sound

Feedback #

-98–+98%

Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output Level

L in

R in

L out

R out

Left Tap

Right Tap

Triple Tap Delay

2-Band

EQ

2-Band

EQ

Balance W

Balance D

Balance W

Balance D

Feedback

Center Tap

L in

R in

L out

R out

Quadruple Tap Delay

Balance W

Balance D

Balance W

Balance D

Delay 1

Delay 2

Delay 3

Delay 4

Feedback

1

2

3

4

L

R