Roland RD-700 - Manual (Page 114)

114
Effect/Parameter List
Appendices
Flg Bal (Flanger Balance) #
Adjust the volume balance between the enhancer sound that is
sent through the flanger and the enhancer sound that is not sent
through the flanger. With a setting of “D100:0W,” only the
enhancer sound will be output. With a setting of “D0:100W,”
only the enhancer sound that is sent through the flanger will be
output.
Level (Output Level)
Adjust the output level.
34: ENHANCR → DELAY (Enhancer → Delay)
This effect connects an enhancer and a delay in series.
Enh Sens (Enhancer Sensitivity) #
Adjust the sensitivity of the enhancer.
Enh Mix (Enhancer Mix Level)
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
DelayTime
Adjust the time delay from when the direct sound begins until
the delay sound is heard.
Delay Fbk (Delay Feedback Level)
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the phase.
Dly HFDmp (Delay HF Damp)
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the delay feedback, set this parameter to
BYPASS.
Delay Bal (Delay Balance) #
Adjust the volume balance between the enhancer sound that is
sent through the delay and the enhancer sound that is not sent
through the delay. With a setting of “D100:0W,” only the
enhancer sound will be output. With a setting of “D0:100W,”
only the enhancer sound that is sent through the delay will be
output.
Level (Output Level)
Adjust the output level.
35: CHORUS → DELAY (Chorus → Delay)
This effect connects a chorus and a delay unit in series.
Cho Delay (Chorus Pre Delay Time)
Adjust the time delay from when the direct sound begins until
the chorus sound is heard.
Cho Rate (Chorus Rate)
Adjust the modulation speed of the chorus effect.
Cho Depth (Chorus Depth)
Adjust the modulation depth of the chorus effect.
Cho Bal (Chorus Balance) #
Adjust the volume balance between the direct sound and the
chorus sound. With a setting of “D100:0W,” only the direct
sound will be output. With a setting of “D0:100W,” only the
chorus sound will be output.
DelayTime
Adjust the time delay from when the direct sound begins until
the delay sound is heard.
Delay Fbk (Delay Feedback Level)
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the phase.
Dly HFDmp (Delay HFDamp)
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Delay Bal (Delay Balance) #
Adjust the volume balance between the chorus sound that is
sent through the delay and the chorus sound that is not sent
through the delay. With a setting of “D100:0W,” only the chorus
sound will be output. With a setting of “D0:100W,” only the
chorus sound that is sent through the delay will be output.
Level (Output Level)
Adjust the output level.
36: FLANGER → DELAY
This effect connects a flanger and a delay in series.
Flg Delay (Flanger Pre Delay Time)
Adjust the time delay from when the direct sound begins until
the flanger sound is heard.
Flg Rate (Flanger Rate)
Adjust the modulation speed of the flanger effect.
Flg Depth (Flanger Depth)
Adjust the modulation depth of the flanger effect.
Flg Fbk (Flanger Feedback Level)
Adjust the proportion (%) of the flanger sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Flg Bal (Flanger Balance) #
Adjust the volume balance between the direct sound and the
flanger sound. With a setting of “D100:0W,” only the direct
sound will be output. With a setting of “D0:100W,” only the
flanger sound will be output.
DelayTime
Adjust the time delay from when the direct sound begins until
the delay sound is heard.
Delay Fbk (Delay Feedback Level)
Adjust the proportion (%) of the delay sound that is fed back
into the delay input. Negative (-) settings will invert the phase.
Dly HFDmp (Delay HFDamp)
Adjust the frequency above which delayed sound fed back to
the delay input will be cut. If you do not want to cut the high
frequencies of the delay feedback, set this parameter to
BYPASS.
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