KORG TRITON Extreme music workstation/sampler - Manual (Page 32)

28
Filter EG
Adjusts the effect produced by the filter EG, whose set-
tings are made in the EG page.
• Use the “Velocity to A” and “Velocity to B” settings to
specify the effect of velocity on the filter EG.
• Use the “Intensity to A” and “Intensity to B” settings
to specify the depth of the filter EG.
• “Into A (AMS Int. to A)” and “Into B (AMS Int. to
B) ” adjust the effect that AMS will have on the filter
EG depth.
These three settings will determine the depth of the
tonal change produced by the filter EG.
Filter A/B Modulation
Set this when you wish to produce tonal change by using
controllers etc. to vary the cutoff frequency.
Filter1 LFO Mod. page
Indicates settings that allow the LFO to produce cyclic
changes in tone (a “wah” effect).
“Intensity to A (LFO Int. to A)” and “Intensity to B (LFO
Int. to B)” specify by how much the LFO will change the
tone.
“JS-Y Intensity to A” and “JS-Y Intensity to B” specify
the depth of the wah effect that will be produced by the
LFO when the joystick of TRITON Extreme is moved
toward yourself, or when CC#2 is received.
“Intensity to A (LFO1 AMS Int.to A)” and “Intensity to B
(LFO1 AMS Int. to B)” specify the depth of the wah effect
that will be produced by the LFO when “AMS (LFO1
AMS)” is used. For example if “AMS (LFO1 AMS)” is set
to After Touch, applying pressure to the keyboard of the
TRITON Extreme, will produce a wah effect.
Filter1 EG page
Indicates settings for the filter EG, which controls time-
variant changes in tone. Make settings for the EG here,
and set the depth of its effect in the Filter1 Mod. page Fil-
ter EG parameter (
☞PG p.20).
● Filter EG and Amplifier EG
When the Filter EG changes the cutoff frequency, the tone
will change. However depending on the volume changes
produced by the Amplifier EG, this can be heard in differ-
ent ways. For example by changing the speed at which the
tone and volume begin (attack) or decay, you can signifi-
cantly vary the character of the tonal change. It is a good
idea to adjust the changes of both the Filter EG (tone) and
the Amplifier EG (volume) as you proceed with editing.
(
☞“Amp1 EG page”)
Amplifier settings P4: Edit-Amp
These settings affect the volume. Here you can adjust the
way in which the Amp EG and LFO produce time-varying
and cyclic changes in volume, and how the controllers etc.
will affect the volume.
Amp1 applies to OSC1, and Amp2 applies to OSC2.
Amp2 can be used if “Oscillator Mode” is set to Double.
For example, the volume of a piano note begins at a high
volume the instant you play the note, and then decreases
gradually. The volume of an organ note remains constant
as long as you continue pressing the key. The volume of a
note on a violin or wind instrument can be varied during
the note by the musician (i.e., by regulating the amount of
pressure on the bow or the force of the breath).
Amp1 Level/Pan page
Amp Level
Adjusts the volume of the sound that has passed through
the oscillator, filter, and amp.
Pan
Specifies the pan (stereo position) after the signal has
passed through the oscillator, filter, and amp. Normally
you will set this to C064. If “Oscillator Mode” is Double
and you wish to create a sense of stereo, set the Amp1
Level/Pan page and Amp2 Level/Pan page parameter
“Pan” to left and right for oscillators 1 and 2 respectively.
With a setting of Random, the pan will change randomly
each time you play a note on TRITON Extreme, producing
an interesting effect.
AMS (Pan AMS), Intensity
“Intensity” specifies the depth of the panning effect that
will occur when “AMS (Pan AMS)” is in use.
If you set “AMS (Pan AMS)” to Note Number, the pan
will change according to the keyboard position at which
you play a note on a TRITON Extreme. With a setting of
LFO1
or 2, the sound will sweep from side to side (auto
pan). Other settings allow you to move the oscillator pan
by operating a controller.
Use DKit Setting
This is valid when “Oscillator Mode” is set to Drums. If
this is checked, the pan location specified by the Drum Kit
for each drum sound will be used. If this is unchecked, all
drum sounds will sound at the same location. Preload and
GM drum kits are set to stereo settings. Normally you will
leave this checked.
Volume
Time
Piano
Volume decays gradually
Volume
Time
Organ
Volume remains constant
until note is released