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3 common parameters, M e nu but tons, 1 stretch tuning – Kawai MP6 User Manual

Page 45: 2 temperament

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45

6. M

E

NU But

tons

6.3 Common Parameters

The following common parameters affect all Zones.

6.3.1 Stretch Tuning

The hearing ability of a human is uneven and is not accurate with high frequency
and low frequency as it is with the middle range. The tuning of an acoustic piano
is stretched to compensate for this so the sound will be heard naturally to the
ears.

Off:

The tuning is flat without stretching.

On:

The tuning is always stretched.

Piano:

The tuning is stretched only when piano sounds are selected.

On W:

Same as “On” but the stretching is wider.

Piano W:

Same as “Piano” but the stretching is wider.

6.3.2 Temperament

This parameter sets the temperament of the MP6.

Equal

This is the most popular tuning method that divides the scale into

twelve equal semitones. This produces the same chordal intervals

in all twelve keys, and has the advantage of limitless modulation of

the key. However the tonality of each key becomes less characteristic

and no chord is in pure consonance.

Pure Maj/Min

This temperament, which eliminates dissonances for thirds and

fifths is still popular for choral music because of its perfect harmony.

When playing in a major key select “Pure Maj” and when playing in

a minor key select “Pure Min”.

Pythagor

This temperament, which uses mathematical ratios to eliminate

dissonance for fifths, is very limited for use with chords, but it

produces very characteristic melodic lines.

Meantone

This temperament, which uses a mean between a major and minor

whole tone to eliminate dissonance for thirds, was devised to

eliminate the lack of consonances experienced with certain fifths

for the Mersenne pure temperament. It produces chords that are

more beautiful than those with the equal temperament.

Werkmeis /
Kirnberg

These two temperaments are placed in between Meantone and

Pythagorean. For music with few accidentals, this temperament

produces the beautiful chords of the mean tone, but as accidentals

increase, the temperament produces the characteristic melodies of

the Pythagorean temperament. It is used primarily for classical music

written in the Baroque era to revive the original characteristics.

User

You can make your own temperament by raising or lowering the

pitch for each half tone.

COMMON

S

Strtch= Piano_w

COMMON

S

Strtch= Piano_w

COMMON

S

Tempr =Pure Maj

COMMON

S

Tempr =Pure Maj