Yamaha M7CL-32 - Manual (Page 264)

M7CL Owner’s Manual
Effects Parameters
264
■ COMP260
This effect emulates the characteristics of mid 70’s com-
pressors/limiters that are the standard for live SR. You can
control two monaural channels independently. You can
also link several parameters via stereo links.
■ COMP260S
This effect emulates the characteristics of mid 70’s com-
pressors/limiters that are the standard for live SR. You can
link and control the L and R channel parameters.
■ EQUALIZER601
This effect emulates the characteristics of 70’s analog
equalizers. Re-creating the distortion of typical analog cir-
cuits will add drive to the sound.
■ OPENDECK
It emulates the tape compression created by two open reel
tape recorders (a recording deck and a playback deck.)
You can change the sound quality by adjusting various
elements, such as the deck type, tape quality, playback
speed, etc.
Parameter Range Description
THRE.1 –60.0 to 0.0 dB Threshold of CH compressor
KNEE1
SOFT, MEDIUM,
HARD
Knee of CH1 compressor
ATTACK1 0.010–80.0 ms Attack time of CH1 compressor
RELEASE1 6.2–999.0 ms Release time of CH1 compressor
RATIO1 1.00–500,
∞
Ratio of CH1 compressor
OUTPUT1 –20.0 to 40.0 dB Adjusts the CH1 output gain
THRE.2 –60.0 to 0.0 dB Threshold of CH2 compressor
KNEE2
SOFT, MEDIUM,
HARD
Knee of CH2 compressor
ATTACK2 0.010–80.0 ms Attack time of CH2 compressor
RELEASE2 6.2–999.0 ms Release time of CH2 compressor
RATIO2 1.00–500,
∞
Ratio of CH2 compressor
OUTPUT2 –20.0 to 40.0 dB Adjusts the CH2 output gain
ST LINK OFF, ON
Links CH1 and CH2 as a stereo
pair. THRE., KNEE, ATTACK,
RELEASE, and RATIO parameters
are linked; OUTPUT parameter is
not linked
Parameter Range Description
THRE. –60.0 to 0.0 dB Threshold of the compressor
KNEE
SOFT, MEDIUM,
HARD
Knee of the compressor
ATTACK 0.010–80.0 ms Attack time of the compressor
RELEASE 6.2–999.0 ms Release time of the compressor
RATIO 1.00–500,
∞
Ratio of the compressor
OUTPUT –20.0 to 40.0 dB Adjusts the output gain
Parameter Range Description
LO TYPE HPF-2/1, LSH-1/2 Type of EQ1
LO F 16.0 Hz to 20.0 kHz Cut-off frequency of EQ1
LO G –18.0 to +18.0 dB Gain of EQ1
MID1 Q 0.50–16.00 Q of EQ2
MID1 F 16.0 Hz to 20.0 kHz Center frequency of EQ2
MID1 G –18.0 to +18.0 dB Gain of EQ2
MID2 Q 0.50–16.00 Q of EQ3
MID2 F 16.0 Hz to 20.0 kHz Center frequency of EQ3
MID2 G –18.0 to +18.0 dB Gain of EQ3
INPUT –18.0 to +18.0 dB Input gain
OUTPUT –18.0 to +18.0 dB Output gain
MID3 Q 0.50–16.00 Q of EQ4
MID3 F 16.0 Hz to 20.0 kHz Center frequency of EQ4
MID3 G –18.0 to +18.0 dB Gain of EQ4
MID4 Q 0.50–16.00 Q of EQ5
MID4 F 16.0 Hz to 20.0 kHz Center frequency of EQ5
MID4 G –18.0 to +18.0 dB Gain of EQ5
HI TYPE LPF-2/1, HSH-1/2 Type of EQ6
HI F 16.0 Hz to 20.0 kHz *1 Cut-off frequency of EQ6
HI G –18.0 to +18.0 dB Gain of EQ6
LO SW OFF, ON Switches EQ1 on/off
MID1 SW OFF, ON Switches EQ2 on/off
MID2 SW OFF, ON Switches EQ3 on/off
MID3 SW OFF, ON Switches EQ4 on/off
MID4 SW OFF, ON Switches EQ5 on/off
HI SW OFF, ON Switches EQ6 on/off
TYPE CLEAN, DRIVE
Selects the equalizer type. The
CLEAN equalizer provides
non-distorted, clear, typical
digital sound, emulating varia-
tions in frequency response in
the analog circuits. The DRIVE
equalizer provides distorted,
driven sound that enhances
analog flavor, emulating
changes in frequency
response in the analog cir-
cuits.
*1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1,
HSH-2)
Parameter Range Description
REC DEC
Swss70, Swss78,
Swss85, Amer70
Selects the recording deck type
REC LVL –96.0 to +18.0 dB
Adjusts the input level of the
recording deck. As you raise the
level, tape compression is gener-
ated, which narrows the dynamic
range and distorts the sound
REC HI –6.0 to +6.0 dB
Adjusts the high range gain of the
recording deck
REC BIAS –1.00 to +1.00
Adjusts the bias of the recording
deck
REPR DEC
Swss70, Swss78,
Swss85, Amer70
Selects the playback deck type
REPR LVL –96.0 to +18.0 dB
Adjusts the output level of the
playback deck
REPR HI –6.0 to +6.0 dB
Adjusts the high range gain of the
playback deck
REPR LO -6.0 to +6.0 dB
Adjusts the low range gain of the
playback deck
MAKE UP Off, On
When you adjust the REC LVL, the
REPR LVL reflects the change,
maintaining the relative output
level. You can change the amount
of distortion without changing
the output level.
TP SPEED 15ips, 30ips Selects the tape speed
TP KIND Old, New Selects the tape type
Parameter Range Description