Yamaha 9000 Pro - Manual (Page 71)

Auto Accompaniment Auto Accompaniment
Reference 71
Chord Types Recognized in the Fingered Mode
Chord Name [Abbreviation] Normal Voicing Display for root “C”
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C(9)
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6(9)
Major seventh [M7] 1 - 3 - (5) - 7 CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9)
Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7 CM7#11
Flatted fifth [(b5)] 1 - 3 - b5 C(b5)
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7b5
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5 Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm(9)
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7 Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7(9)
Minor seventh eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7_11
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7_9
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm7b5
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7b5
Diminished [dim] 1 - b3 - b5 Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - b7 or
1 - (3) - 5 - b7 C7
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7(b9)
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7b13
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7(9)
Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7 C7#11
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7(13)
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9)
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7b5
Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - 5 - b7 C7sus4
One plus two plus five [1+2+5] 1 - 2 - 5 C1+2+5
C
Cm
7 C
( )
CM
( )
7 C (9) C
( )
(9) 6
Caug Cm 6 Cm 7
( )
Cm b5
7 CmM b5
7
Cm
( )
(9) 7 Cm (9)
CmM 7
( )
CmM (9) 7
( )
Cdim Cdim 7
C (9) 7
( )
C (13) 7
( )
C (b9)
7
( )
C (b13)
7
Csus 4
C 1+2+5 C b5 7
C 6
( ) ( )
CM 7 (9) 7 CM (#11)
( )
7 CM b5 C (b5)
( )
C (#11) 7 C (#9) 7
( )
C aug 7
Cm 7(11)
( )
( )
CM aug 7
( )
C sus 4 7
● Example for “C” chords
• Notes in parentheses can be
omitted.
• If you play any three adjacent
keys (including black keys), the
chord sound will be canceled
and only the rhythm instru-
ments will continue playing
(Chord Cancel function).
• Playing a single key or two
same root keys in the adjacent
octaves produces accompani-
ment based only on the root.
• A perfect fifth (1 + 5) produces
accompaniment based only on
the root and fifth which can be
used with both major and
minor chords.
• The chord fingerings listed are
all in “root” position, but other
inversions can be used — with
the following exceptions:
m7, m7 b 5, 6, m6, sus4, aug,
dim7, 7 b 5, 6(9), m7_11,
1+2+5.
• Inversion of the 7sus4 chord is
not recognized if the 5th is
omitted.
• The auto accompaniment will
sometimes not change when
related chords are played in
sequence (e.g. some minor
chords followed by the minor
seventh).
• Two-note fingerings will pro-
duce a chord based on the pre-
viously played chord.
69