41 mod delay (modulation delay), Navi, Mfx list – Roland GAIA 2 37-Key Virtual Analog + Wavetable Synthesizer User Manual
Page 84: Dly l sync, Dl.time, Dltime nt, Dly r sync, Dr.time, Drtime nt, Fbk mode

84
41 Mod Delay (Modulation Delay)
Adds modulation to the delayed sound.
When Feedback Mode is CROSS:
When Feedback Mode is NORMAL:
R out
R out
L out
L out
2-Band
2-Band
EQ
EQ
2-Band
2-Band
EQ
EQ
Balance W
Feedback
Feedback
Balance D
Balance D
L in
L in
Delay
Delay
Modulation
Modulation
Delay
Delay
Modulation
Modulation
R in
R in
Balance W
R out
R out
L out
L out
2-Band
2-Band
EQ
EQ
2-Band
2-Band
EQ
EQ
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in
L in
Delay
Delay
Modulation
Modulation
Delay
Delay
Modulation
Modulation
R in
R in
Parameter
Value
Explanation
Dly L Sync
OFF, ON
If this is ON, the rate synchronizes with the tempo of the rhythm.
DL.Time
1–1300
Adjusts the time until the left delay sound is heard.
DLTime Nt
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Dly R Sync
OFF, ON
If this is ON, the rate synchronizes with the tempo of the rhythm.
DR.Time
1–1300
Adjusts the time until the right delay sound is heard.
DRTime Nt
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Fbk Mode
NORMAL, CROSS
Selects the way in which delay sound is fed back into the effect (See the
figures above).
Feedback
-98–+98 [%]
Adjusts the proportion of the delay sound that is fed back into the effect
(Negative values invert the phase).
HF Damp
Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to
filter out any high frequencies, set this parameter to
BYPASS
.
200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
[Hz]
Rate Sync
OFF, ON
If this is ON, the rate synchronizes with the tempo of the rhythm.
Rate
0.05–10.00 [Hz]
Frequency of modulation
Rate Note
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Depth
0–127
Depth of modulation
Phase
0–180 [deg]
Spatial spread of the sound
Low Gain
-15–+15 [dB]
Amount of boost/cut for the low-frequency range
High Gain
-15–+15 [dB]
Amount of boost/cut for the high-frequency range
Balance
D100:0W–D0:100W
Volume balance between the direct sound (D) and the delay sound (W)
Level
0–127
Output Level