To record from a sound source, Recording – Panasonic SA-HD52 User Manual
Page 32
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Recording
(tape deck 2 only)
Your attention is drawn to the fact that recording pre-recorded
tapes or discs on other published or broadcast material mav
infringe copyright laws.
'
Digital
frequency/
input selector
Input selectors
To record from a sound source
1
POWER
Switch ON the power “STANDBY c!) /ON“
switch.
[
eject
I
Press the eject button, and then Insert the
cassette to be used for recording into tape
deck 2.
(The part of the cassette where the
tape is exposed should face down
ward.)
]
Note:
The normal or chromium type of tape is recommended.
DOLBY NR
To record with the Dolby noise-reduction
effect,
set
the
Dolby
noise-reduction
switch to “ON”.
REVERSE MODE
Select the slde(s} of the tape (one side only
or both sides) upon which the recording is
to be made.
m ; Select this setting to record on one side only.
At this setting, the recording will stop at №e end of
one side of the tape.
; Select this setting to record on both sides.
‘Hie recording will be made on side "B" after re
cording on side “A"; the tape wilt stqp at the end of
side "B".
INPUT SELECTOR
Press the input selector corresponding to
the sound source (compact-disc player,
phono disc, etc.) from which you want to
make the recording.
(The selected source win be
shown by the digital frequency/input display.)
REC PAUSE
Press the recording pause button.
(The recording pause indicator will illuminate, and the play
back indicators start flashirig. The tape deck will be In the
recording stand-by mode.)
I PLAY i
Press the playback button
(The recording will
begin.),
then begin the sound source to be
recorded.
•If only one side of the tape (reverse mode position:
) is to be recorded, press the playback button
that corresponds to tfiat side.
•To record on both sides of the tape (reverse mode
position:
), press the “A” side playback button
(►).
(The pla^iack indicator will illuminate steadily, and the
recording will begin.)
This unit has been set for the optimum recording level.
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