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D beam setting parameters, Trigger, Synth – Roland SP-606 User Manual

Page 73

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73

Chapter 9. Using the D Beam

TRIGGER

As an alternative to striking the pad itself, you can use the D Beam controller to play a specified pad.

SYNTH

This lets you use the D Beam to control the pitch of a built-in monophonic synthesizer.

D Beam Setting Parameters

Parameter

Value

Explanation

Pad Number

1–16

Specifies the pad number that will be played by the D Beam controller.

Pad Velocity

1–127

Specifies the loudness of the pad sound played by the D Beam controller.

Trig Mode

MOMENTARY,

LATCH

Specifies what will happen when you place your hand above the D Beam.

MOMENTARY

: The pad sound will be on only while your hand stays above the

D Beam; it will turn off when you take your hand away.

LATCH

:

The pad sound will alternately turn on/off each time you place
your hand above the D Beam.

Parameter

Value

Explanation

Send Select

DRY, MFX

Specifies whether an effect will be applied.

DRY

: The synth sound will not be sent to the effect.

MFX

: The synth sound will be sent to the effect.

Pitch Low

0–127

Specifies the lower pitch limit for the D Beam controller.

Pitch High

0–127

Specifies the upper pitch limit for the D Beam controller.

Scale

CHROMATIC,
TCHEREPINS,
SPANISH,
BLUES MIXO,
COMB DIM,
MAJOR,
MINOR,
HARMONIC MAJ,
HARMONIC MIN,
DBL HARMONIC,
MELO MIN,
GYPSY,
DOMINANT,
HEX,
HEX BLUE,
AUGMENT,
RYUKYU,
INSEN DEC,
INSEN ASC,
PENTA,
PENTA MIN

Specifies the scale that will be used. Moving your hand closer to the D Beam
controller will produce higher pitches. Choose one of the following 21 scales.

CHROMATIC

:

Chromatic Scale

TCHEREPINS

:

Tcherepnin's Scale

SPANISH

:

Spanish Scale

BLUES MIXO

:

Blues Mixolydian Scale

COMB DIM:

Combination of Diminished Scale

MAJOR

:

Diatonic Major Scale

MINOR

:

Natural Minor Scale

HARMONIC MAJ

: Harmonic Major Scale

HARMONIC MIN

: Harmonic Minor Scale

DBL HARMONIC

: Double Harmonic Scale

MELO MIN

:

Melodic Minor Scale

GYPSY

:

Gypsy Scale

DOMINANT

:

Dominant Scale

HEX

:

Whole Tone Scale

HEX BLUE

:

Hexatonic Blue Scale

AUGMENT

:

Augmented Scale

RYUKYU

:

Ryukyu Scale

INSEN DEC

:

In Sen Scale, Decending

INSEN ASC

:

In Sen Scale, Ascending

PENTA

:

Major Pentatonic Scale

PENTA MIN

:

Minor Pentatonic Scale

Level

0–127

Specifies the volume of the synth sound.

Osc Wave

SAW, TRI, PLS,
NOISE

Selects the waveform of the oscillator that generates the sound.

SAW

(

sawtooth wave

): A thick sound rich in overtones.

TRI

(triangle wave): A mild sound with fewer overtones.

PLS

(pulse wave): The sound will be affected by the following two settings

(“PWM Depth” and “PWM Duty”).

NOISE

: Noise.

PWM Depth

0–127

Depth specifies the depth to which the LFO will modulate the pulse width of
the pulse wave. This creates a distinctive cyclic tonal change. Higher settings
produce a deeper effect.

PWM Duty

0–127

Specifies the width of the pulse. Higher settings produce a narrower pulse
width.

SP-606_e.book 73 ページ 2004年6月21日 月曜日 午前10時8分