Boss Audio Systems GT-6B - Manual (Page 29)

29
Chapter 4 The Effects Explained
Chapter
4
Delay Time Fine
Makes fine adjustments (in units of 1 ms) to the delay time.
Tap Time
(Used Only with Pan)
Adjusts the delay time of the right channel delay. This setting
adjusts the right channel delay time relative to the left
channel delay time, which is referenced as 100%.
Feedback
“Feedback” refers to the return of a delay signal back to the
input. This parameter adjusts the amount of signal returned.
Higher values increase the number of the delay repeats.
High Cut
The high-cut cuts the frequency component above the set
frequency. This parameter adjusts the frequency where the
high-cut starts working. When set to “Flat,” the high-cut does
not affect the sound.
Delay Level
Adjusts the volume of the delay sound.
■ R&D: Reverb & Delay
You can use REV. (p. 28) and DLY (p. 28) simultaneously.
■ SOS: Sound On Sound
For more detailed instructions on using Sound On Sound,
refer to p. 54.
Parameter Value
SOSMode HiQuality, LongTime
Quantize Off, On
Tempo 60–160, BPM
Playback Level 0–100
SOSMode (Sound On Sound Mode)
Selects the recording mode.
HiQuality:
This mode gives priority to higher sound quality. You can
record approximately 3 seconds of sound.
LongTime:
This mode gives priority to longer recording time. You can
record approximately 6 seconds of sound.
Quantize
When Quantize is set to ON, the length of the loop is
adjusted automatically according to the tempo set in
“Tempo” (next item), even if the position at which recording
was stopped is somewhat off.
Tempo
This sets the tempo that determines the length of the loop.
The CTL pedal indicator flashes at the rate set here.
When this is set to “BPM,” you can set the tempo with the
Number 4 pedal (tap input).
Playback Level
Sets the volume level of the loop as it is played back.
PREAMP/SPEAKER
COSM technology is used to simulate the distinguishing bass
amp characteristics in the “Preamp” section, and is used to
simulate various speaker sizes and cabinet constructions in
“Speaker Simulator.”
■ Preamp
Parameter Value
On/Off Off, On
Type FLIP TOP, B MAN, BASS 360, T.E.,
SESSION, CONCERT 810
Bright Off, On
Deep Off, On
Response BASS, FLAT
Enhancer 0–100
Pre Shape Off, 1, 2
Gain 0–100
Treble 0–100 (or -50– +50)
Ultra Hi Off, On
Middle 0–100 (or -50– +50)
Mid Frequency 220 Hz, 800 Hz, 3.0 kHz
Bass 0–100 (or -50– +50)
Ultra Lo -, 0, +
Level 0–100
On/Off (Effect On/Off)
Sets the preamp effect to ON or OFF.
Type
Selects the type of preamp.
Gain
Adjusts the amount of amp distortion.
FLIP TOP Models the Ampeg B-15.
B MAN Models the Fender Bassman 100.
BASS 360 Models the acoustic 360.
T.E. Models the Trace Elliot AH600SMX.
SESSION Models the SWR SM-400.
CONCERT 810 Models the Ampeg SVT.