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Panel controls and terminals, Intr oduction, Top panel jacks & terminals – Yamaha CLP-280 User Manual

Page 10

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10

CLP-280/270 Owner’s Manual

Intr

oduction

A

C

METRONOME

ON/OFF

SETTING

DOWN

UP

TEMPO

EXTRA
PARTS

LEFT

RIGHT

SONG

SELECT

FILE/SONG

SETTING

PLAY/PAUSE

STOP

REC

SONG

NEW SONG

SYNC START

REPEAT

DEMO

SONG BALANCE

KEYBOARD

SONG

MIN

MAX

MASTER VOLUME

FUNCTION

iAFC

SETTING

CHORUS

REVERB

BRILLIANCE

MELLOW

BRIGHT

VOICE

SETTING

SPLIT

GUITAR

VIBRA-

PHONE

E.CLAVI-

CHORD

HARPSI-

CHORD

SYNTH.

PAD

WOOD

BASS

E.BASS

E.PIANO

2

E.PIANO

1

GRAND

PIANO 1

CHURCH

ORGAN

JAZZ

ORGAN

GRAND

PIANO 2

STRINGS

CHOIR

XG

CONTRAST

EXIT

B

D

NO

YES

USB

TO DEVICE

TO HOST

MIDI

AUX PEDAL

AUX IN

AUX OUT

IN

OUT

THRU

L/L+R

R

R

L

USB TO DEVICE

SELECT

8

@

º

5

%

*

^

7

)

2

3

4

9

$

&

¡

6

!

(

#

#

1

¢

£

§

ª

£

VOICE

Panel Controls and Terminals

The Yamaha CLP-280/270 Clavinova offers unmatched sonic realism and exceptionally natural grand-piano type
playability, and features Yamaha’s original AWM Dynamic Stereo Sampling technology for rich, authentic, musical
voices.
The CLP-270 utilizes a GH3 (Graded Hammer 3) Keyboard that varies the key weight according to the key range,
while the CLP-280 boasts a Natural Wood Keyboard that enhances the GH3 features (including real-wood white
keys), to reproduce as closely as possible the experience of playing an actual acoustic grand piano.
Thanks to these two keyboard types, you can use performance techniques previously possible only on grand
pianos—such as playing the same note successively and having sounds blend smoothly even without use of the
damper pedal, or playing the same key quickly and having perfect articulation without the sound cutting off unnatu-
rally. The remarkably authentic Grand Piano 1 voice on both instruments also features:
• Dynamic Sampling, using velocity-switched samples for extra realism;
• String Resonance (page 88), which recreates the rich resonance of piano strings;
• Sustain Sampling (page 88), which uses samples of the resonance of an acoustic grand piano’s soundboard and

strings made when the damper pedal is pressed; and

• Keyoff Samples, which add the subtle, characteristic sounds produced when keys are released.

Top panel

Jacks & Terminals