Roland BR-800 - Manual (Page 65)

Editing
Mastering
Using USB
Con
venient
Functions
Appendix
es
Quic
k Star
t
Getting Read
y
to Recor
d
Recor
ding/
Pla
ybac
k
Using Eff
ects
Using Rh
ythm
67
Using Insert Effects
*1 Setting available when the algorithm is set to GUITAR MULTI.
*2 Setting available when the algorithm is set to BASS MULTI
or GUITAR TO BASS.
*3 Setting available when MODE is set to TOUCH.
*4 Setting available when MODE is set to PEDAL.
This effect distorts the sound to create long sustain.
FREQUENCY *3
0–100
Adjusts the center frequency of the Wah
effect.
PEAK *3
Adjusts the way in which the wah effect applies to the area
around the center frequency.
0–100
Higher values will produce a stronger tone
which emphasizes the wah effect more.
With a value of 50 a standard wah sound
will be produced.
PEDAL POS (Pedal Position) *4
0–100 Adjusts the position of the wah pedal.
PEDAL MIN (Pedal Minimum) *4
0–100
Selects the tone produced when the heel of
the pedal is depressed.
PEDAL MAX (Pedal Maximum) *4
0–100
Selects the tone produced when the toe of
the pedal is depressed.
E.LEVEL (Effect Level)
0–100 Adjusts the volume of the effect sound.
D.LEVEL (Direct Level)
0–100 Adjusts the volume of the direct sound.
DISTORTION
Parameter/
Range
Explanation
ON/OFF
OFF, ON Turns the DISTORTION effect on/off.
TYPE
Selects the type of distortion.
BOOSTER
MID BOOST
This is a booster with unique character-
istics in the midrange.
Making the connection before the
COSM amp produces sound suitable
for solos.
CLN BOOST
This not only functions as a booster,
but also produces a clean tone that has
punch even when used alone.
TREB BOOST
This is a booster that has bright charac-
teristics.
Parameter/
Range
Explanation
BLUES
BLUES OD
This is a crunch sound of the BOSS BD-2.
This produces distortion that faithfully
reproduces the nuances of picking.
CRUNCH
A lustrous crunch sound with an add-
ed element of amp distortion.
NATURAL
OD This is an overdrive sound that pro-
vides distortion with a natural feeling.
OD
OD-1
This is the sound of the BOSS OD-1.
This produces sweet, mild distortion.
T-SCREAM This models an Ibanez TS-808.
TURBO OD
This is the high-gain overdrive sound
of the BOSS OD-2.
WARM OD This is a warm overdrive.
DIST
DISTORTION
This gives a basic, traditional distortion
sound.
MILD DS
This is a distortion sound that provides
a mild distortion.
MID DS
This distortion sound features a boost-
ed midrange.
CLASSIC
RAT This models a Proco RAT.
GUV DS This models a Marshall GUV’ NOR.
DST+ This models a MXR DISTORTION+.
MODERN
MODERN DS
This is the deep distortion sound of a
large high-gain amp.
SOLID DS
This is a distortion sound featuring an
edge effect.
STACK
A fat sound with an added element of a
stack amp’s distortion.
METAL
LOUD
This is distortion sound that is ideal for
performances of heavy riffs.
METAL
ZONE
This is the sound of the BOSS MT-2.
It produces a wide range of metal
sounds, from old style to slash metal.
LEAD
Produces a distortion sound with both
the smoothness of an overdrive along
with a deep distortion.
FUZZ
’60s FUZZ
This models a FUZZFACE.
It produces a fat fuzz sound.
OCT FUZZ This models an ACETONE FUZZ.
MUFF FUZZ
This models an Electro-Harmonix big
Muff
π .
DRIVE
0–120 Adjusts the depth of distortion.
BOTTOM
-50–+50
Adjusts the tone for the low frequency
range. Turning this to the left (counter-
clockwise) produces a sound with the
low end cut; turning it to the right
boosts the low end in the sound.
Parameter/
Range
Explanation
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