KORG XTENDED DEFINITION D32XD - Manual (Page 152)

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ReverseTrk
This operation copies the track data of the IN–OUT range of
the reverse source track (Source) to the TO location of the
destination track (Destination) in reverse (flipped back-to-
front). You can specify the number of times that the data will
be copied.
When this is executed (Exec.), the copied data will be re-
versed, so that the playback will be backward.
The specified range of the reverse destination track will be over-
written.
A1. Source D32XD [1...32, ML, MR, 1-2...31-32,
MST, 1-4...29-32, 1-8...24-32,
1-16, 17-32, 1-32, ALL]
D16XD [1...16, ML, MR, 1-2...15-16, MST,
1-4...13-16, 1-8...9-16, 1-16, ALL]
Select the reverse source track.
For a 96 kHz/24-bit song, you can choose only up to tracks 1–
8.
For D32XD 48 kHz/24-bit or 44.1 kHz/24-bit songs, only
tracks 1-16 can be selected.
A2. Destination D32XD [1...32, ML, MR, 1-2...31-32,
MST, 1-4...29-32, 1-8...24-32,
1-16, 17-32, 1-32, ALL]
D16XD [1...16, ML, MR, 1-2...15-16, MST,
1-4...13-16, 1-8...9-16, 1-16, ALL]
Select the reverse copy destination track.
For a 96 kHz/24-bit song, you can choose only up to tracks 1–
8.
For D32XD 48 kHz/24-bit or 44.1 kHz/24-bit songs, only
tracks 1-16 can be selected.
A3. Times [1…99]
Specify the number of times that the data will be copied.
A4. Wave
This displays the audio data of the track as a waveform.
Here you can set the editing locations (IN, OUT, TO,
END) more precisely. (
→p.139 Edit Type: “CopyTrk,”
Wave dialog box)
OptimizeTrk
Optimizes the track data in the IN–OUT region of the opti-
mize-destination track (Destination).
A1. Destination D32XD [1...32, ML, MR, 1-2...31-32,
MST, 1-4...29-32, 1-8...24-32,
1-16, 17-32, 1-32, ALL]
D16XD [1...16, ML, MR, 1-2...15-16, MST,
1-4...13-16, 1-8...9-16, 1-16, ALL]
Selects the track that will be optimized.
For a 96 kHz/24-bit song, you can choose only up to tracks 1–
8.
For D32XD 48 kHz/24-bit or 44.1 kHz/24-bit songs, only
tracks 1-16 can be selected.
A2. Wave
This displays the audio data of the track as a waveform.
Here you can set the editing locations (IN, OUT) more
precisely. (
→p.139 Edit Type: “CopyTrk,” Wave dialog
box)
A3. Mode [Normal, Erase Silence, Erase Punch Noise]
Selects the type of optimization that will be performed.
Normal
This operation re-creates the audio events in the IN–
OUT region to prevent “Disk too busy.” errors from
occurring. If there are no gaps between one audio
event and the next, or if the gap is small, the data will
be combined into a single event. If there are extended
gaps between audio events, the data will be re-created
in a way that avoids wasting space.
By setting the IN–OUT region to the beginning and end of the
song, and executing the Optimize Track operation, you can re-
create the data in a form that will be ideal for hard disk access.
Erase Silence
In an extended recording that contains significant
amounts of silence, this operation erases the silent
regions, and divides the areas containing sound into
separate events.
Levels lower than –36 dB will be considered as silence.
A B C ...
A B C ... A B C ... A B C ...
IN OUT
TO
SourceTrack
DestTrack
TIMES
A4
A1 A2 A3
A3
A1
A2
IN OUT SourceTrack
DestTrack
IN
Before
execution
After
execution
OUT