Nikon 4804 R1 Wireless Close-Up Speedlight System - Manual (Page 101)

101
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lash ope
ration using various accessories
Balancing light from the flash
With digital cameras, if you shoot flash pictures under fluorescent light with the
camera’s white balance set to “Flash,” the main subject illuminated by the flash
will look normal. However, the background will come out green. To compensate,
use the FL-G1 (green gel filter) to convert the light coming from the flash to the
same color as fluorescent light, then adjust the camera’s white balance to
“Fluorescent.” Follow a similar procedure when shooting flash pictures under
incandescent/tungsten illumination using the TN-A1 filter. In this case, set the
white balance to “Incandescent.”
• Available with digital cameras featuring white balance. You cannot set the white balance
on the Speedlight. Choose an appropriate white balance setting on your digital camera.
For more details, see your camera user’s manual.
Using colored filters for adding special colors to a scene.
Colored gel filters can be used to add specific colors to create various
renderings of a scene.
• Adjust your digital camera’s white balance (if available) to “Flash” for the most effective
results.
Notes on using colored gel filters
• Colored gel filters are consumable items. When they fade in color or deteriorate, purchase
the optional Color Filter Set SJ-2.
• Do not use these filters when taking pictures with repeating flash, as the heat can damage
them.
• The heat generated from the flash head can deform color filters. However, this will not
affect their performance.
• There is no difference between the front and back of a colored gel filter.
• Scratches on the filters will have no effect on performance unless the filters fade in color.
• The amount of exposure compensation printed on each filter is provided as a guide only.
Be sure to make test shots to determine the actual amount of compensation required.
• To remove dust or dirt, wipe the filter lightly with a soft, clean cloth.