beautypg.com

FBT DLM26 User Manual

Page 25

background image

EQ Byp page – from this sub-menu it is possible to Bypass or to make active the 5 Bands
Equalizer placed on the Input Signal Path.

When Bypassed the 5 Bands Equalizer, its current setting will not be lost.

EQ: [x] sub-menu – from this sub-menu it is possible to set the Input Channels five available

Multi-Type Filters.
Anyone of the 5 filters of the Eq can be selected choosing from the following list of filter types:

1.

Peaking_Eq: Peaking (Bell) filters, adjustable as Center Frequency, Gain and Q
The DLM26 Peaking filters are at constant Q, so with Q not depending from the selected Gain value.

2.

Hi-Shelv_1: High Shelving filters of the 1

st

order.

These Shelving filter present 3dB less than the selected Gain, or 3dB more than the selected Attenuation, at the

selected cutting frequency, and a slope of 6dB/Oct.

3.

Hi-Shelv_2: High Shelving filters of the 2

nd

order.

These Shelving filters present 3dB less than the selected Gain, or 3dB more than the selected Attenuation, at the
selected cutting frequency, and a slope of 12dB/Oct.

4.

Hi-Shelv_Q: Symmetrical High Shelving filters with Variable Q.
These Shelving filters present ½ level of the selected Gain/Attenuation at the selected cutting frequency, and a

slope that is depending from the chosen Q value.

5.

Lo-Shelv_1: Low Shelving filters of the 1

st

order.

These Shelving filters present 3dB less than the selected Gain, or 3dB more than the selected Attenuation, at the
selected cutting frequency, and a slope of 6dB/Oct.

6.

Lo-Shelv_2: Low Shelving filter of the 2

nd

order.

These Shelving filters present 3dB less than the selected Gain, or 3dB more than the selected Attenuation, at the

selected cutting frequency, and a slope of 12dB/Oct.

7.

Lo-Shelv_Q: Symmetrical Low Shelving filters with Variable Q.

These Shelving filters present ½ level of the selected Gain/Attenuation at the selected cutting frequency, and a
slope that is depending from the chosen Q value.

8.

Low Pass_1: Low Pass filters of the 1

st

order, with -3dB attenuation at the cutting frequency and a slope of

6dB/Oct.

9.

Low Pass_2: Low Pass filters of the 2

nd

order, with -3dB attenuation at the cutting frequency and a slope of

12dB/Oct.

10.

Low Pass_Q: Low Pass filters with Variable Q.

11.

High Pass_1: High Pass filters of the 1

st

order, with -3dB attenuation at the cutting frequency and a slope of

6dB/Oct.

12.

High Pass_2: High Pass filters of the 2

nd

order, with -3dB attenuation at the cutting frequency and a slope of

12dB/Oct.

13.

High Pass_Q: High Pass filters with Variable Q.

14.

All Pass_1: Filters allowing a FLAT Amplitude response and adding a 90 Degree Phase rotation at the selected
Frequency.

15.

All Pass_2: Filters allowing a FLAT Amplitude response and adding a 180 Degree Phase rotation at the selected
Frequency.

16.

Band Pass: Filters allowing to pass the band “around” the selected frequency.
The amount of passing band is decided by the Q value

17.

Notch Filt: Filters canceling the band “around” the selected frequency.
The amount of canceled band is decided by the Q value

More, the DLM26 Is giving the possibility to “Bypass” any single filter of the 5 available in the Equalizer

section; Once in the editing page of the single filter, a “Byp” field is available for making the single filter
active or not

Input-A EQ-X
Byp=Off Type=Peaking_Eq

Input-A EQ Byp
Eq Bypass = Off