75. Tape Echo
A virtual tape echo that produces a realistic tape delay sound.
This simulates the tape echo section of a Roland RE-201
Space Echo.
● Mode (S, M, L, S+M, S+L, M+L, S+M+L)—Combination of

playback heads to use. Select from three different heads
with different delay times. S: short, M: middle, L: long.

● Repeat Rate (0~127)—Tape speed. Increasing this value

will shorten the spacing of the delayed sounds.

● Intensity (0~127)—Amount of delay repeats.
● Bass (–15dB~0~15dB)—Boost/cut for the lower range of

the echo sound.

● Treble (–15dB~0~15dB)—Boost/cut for the upper range

of the echo sound.

● Head S Pan (L64~0~63R)

● Head M Pan (L64~0~63R)

● Head L Pan (L64~0~63R)—Independent panning for the

short, middle and long playback heads.

● Tape Distortion (0~5)—Amount of tape-dependent distor-

tion to be added. This simulates the slight tonal changes
that can be detected by signal-analysis equipment. Increas-
ing this value will increase the distortion.

● Wow/Flutter Rate (0~127)—Speed of wow/flutter (com-

plex variation in pitch caused by tape wear and rotational
irregularity).

● Wow/Flutter Depth (0~127)—Depth of wow/flutter.
● Echo Level (0~127)—Volume of the echo sound.
● Direct Level (0~127)—Volume of the original sound.
● Level (0~127)—Output level.

76. LoFi Noise
In addition to a lo-fi effect, this adds various types of noise
such as white noise and disc noise.
● LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound

quality. The sound quality grows poorer as this value is
increased.

● Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-

ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.

● Post Filter Cutoff (200~8000, Bypass)—Center frequency

of the filter.

● W/P Noise Type (White, Pink)—Switch between white

noise and pink noise.

● W/P Noise LPF (200~8000, Bypass)—Center frequency of

the low pass filter applied to the white/pink noise (BYPASS:
no cut).

● W/P Noise Level (0~127)—Volume of the white/pink noise.

● Disc Noise Type (LP, EP, SP, RND)—Type of record noise.

The frequency at which the noise is heard depends on the
selected type.

● Disc Noise LPF (200~8000Hz, Bypass)—Adjusts the cutoff

frequency of the low pass filter applied to the record noise.
If you don’t want to filter out any high frequencies, set this
parameter to BYPASS.

● Disc Noise Level (0~127)—Volume of the record noise.
● Hum Noise Type (50Hz, 60Hz)—Frequency of the hum

noise.

● Hum Noise LPF (200~8000Hz, Bypass)—Center frequency

of the low pass filter applied to the hum noise (BYPASS: no
cut).

● Hum Noise Level (0~127)—Volume of the hum noise.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-

quency range.

● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-

quency range.

● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-

ance between the direct (D) and the effect sound (W).

● Level (0~127)—Output level.

77. LoFi Comp
This is an effect that intentionally degrades the sound quality
for creative purposes.
● Pre Filter Type (1, 2, 3, 4, 5, 6)—Selects the type of filter

applied to the sound before it passes through the Lo-Fi
effect.

● LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound

quality. The sound quality grows poorer as this value is
increased.

● Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-

ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.

● Post Filter Cutoff (200~8000, Bypass)—Basic frequency

of the Post Filter.

● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-

quency range.

● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-

quency range.

● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-